Review | The Strange Library, Haruki Murakami

01artsbeat-murakami-articleInline“The library was even more hushed than usual.” So begins this beautiful, haunting tale. It’s a masterful opening line — atmospheric, evocative, and for this reader, pregnant with promise. What wonders lie within a library “more hushed than usual”?

In The Strange Library, these wonders are dark indeed. A boy visits the library for an assignment and encounters a “little old man” who imprisons him in the basement and forces him to read. “Because brains  packed with knowledge are yummy, that’s why,” explains the old man’s reluctant assistant, a sheep man. “They’re nice and creamy. And sort of grainy at the same time.”

The story then follows the boy’s attempt to escape, aided by the sheepman and a mysterious, voiceless girl. The question of whether or not he succeeds feels almost inconsequential. The entire narrative feels like a fevered dream — the best of Murakami distilled into a child’s fairy tale.

The Strange Library is, in a word, beautiful. I’ve long been a fan of Chip Kidd (I even bought Murakami’s 1Q84 in hardcover for Kidd’s delicate tissue layered cover), and Kidd’s work in this volume is beyond words. The mere experience of opening the book feels like opening a present. And the illustrations throughout enhance the dreamscape Murakami has created, without giving anything away.

Murakami’s language as well deserves praise, as does Ted Goossen’s translation. The cadence is hypnotic, almost seductive, lulling the reader into a space where sheep men exist and the state of the moon determines one’s fate. It’s a quick read, but I hesitate to call it an easy one. I don’t think I quite understood what I read, and I mean that in the best possible way. There’s so much more to this story than the actual narrative, and Kidd’s mysterious illustrations as well hint at a universe beyond the page.

The young boy in the story sets out to research taxes in the Ottoman Empire, and ends up the star of a supernatural adventure. So too will the reader of this text set out to read a short, illustrated fable, and realize that so much of the story still lies in the white space. I will definitely have to re-read this one.

+

Thank you to Random House Canada for a copy of this book in exchange for an honest review.

TV Review | The Red Tent (Showcase)

home-bg

The Red Tent. Image courtesy of Showcase.

THE RED TENT (2x120min)
Canadian Premiere
TWO NIGHT MINISERIES EVENT: Sunday, December 7 at 10pm ET/PT and Monday, December 8 at 10pm ET/PT Based on the best-selling novel by Anita DiamantThe Red Tent is the sweeping tale of Dinah, the daughter of Leah and Jacob, who was only referred to in small glimpses in the Old Testament. The miniseries begins with Dinah’s happy childhood spent inside the red tent where only the women of her tribe are allowed to gather and share the traditions and turmoil of ancient womanhood. Told through Dinah’s eyes, the film recounts the story of her mothers, Leah, Rachel, Zilpah and Bilhah, the four wives of Jacob. The saga continues as Dinah matures and experiences an intense love that subsequently leads to a devastating loss, changing the fate of her and her family’s lives forever. Starring Minnie Driver, Morena Baccarin, Rebecca Ferguson, Iain Glen, Will Tudor, and Debra Winger.

MY REVIEW

I grew up Catholic, and so am vaguely familiar with the story of Jacob and his children, the twelve sons who later became the twelve tribes of Israel and the single daughter Dinah. A teacher in sixth grade gave a pop quiz where we had to list all of his children with proper spelling and in the correct birth order — this made such an impression on me that even now, I can still rattle off at least nine out of the thirteen names.

Traveling to their new  home. Will Tudor as Joseph, Rebecca Ferguson as Dinah and Minnie Driver as Leah. Image courtesy of Showcase.

Traveling to their new home. Will Tudor as Joseph, Rebecca Ferguson as Dinah and Minnie Driver as Leah. Image courtesy of Showcase.

However, I never really knew anything about Dinah beyond a name on the list. It turns out she had a pretty brief, violent mention in the Bible, and typical for Biblical stories, her passage was very much focused on the actions of her brothers and on the significance of her experience to the men around her. That’s why I absolutely loved The Red Tent. A feminist re-focusing of the   narrative, Diamant’s tale portrays Dinah as a woman who was raised and moulded by women. Diamant’s Dinah forges her own future and faces the tragic twists in her fate as an individual rather than merely a figure to prompt her father and brothers into action. I haven’t read Diamant’s book, but if the TV miniseries is any indication, the novel is definitely going on my To Read list.

Rebecca Ferguson as Dinah. Image courtesy of Showcase

Rebecca Ferguson as Dinah. Image courtesy of Showcase

Female empowerment is a theme that runs throughout the production. The tent in the title refers to the place where women in Dinah’s tribe stay when they have their period. The original purpose likely had to do with keeping “impurity” away from the men of the tribe, but in Diamant’s story, the red tent is a space of empowerment, where women share stories, celebrate their potential to create life, and secretly worship a goddess whose figure has been handed down from mother to daughter. One of the characters scoffs at how the men in the tribe pity them and their pain, when in fact menstruation is a source of power and cause for celebration.The portrayal of the red tent and the relationships among the women in Dinah’s tribe remind me very much of Margaret Atwood’s The Handmaid’s Tale, where sisterhood is a potent, powerful force even within a patriarchal society.

Rebecca Ferguson as Dinah and Iain Glen as Jacob. Shot on location in Morocco, May 2014. Image courtesy of Showcase.

Rebecca Ferguson as Dinah and Iain Glen as Jacob. Shot on location in Morocco, May 2014. Image courtesy of Showcase.

Even as an adult, when tragedy takes Dinah away from her family, Dinah’s story is very much intertwined with the women around her. She is very much devoted to her son and men in her life, but the agency remains hers and the strong influences are from the women around her. Her mothers’ teachings remain strong even in into her adulthood, and her mother-in-law and a female friend help shape her future. At times, the women empowerment theme feels a bit heavy-handed, but to be honest, after having her story virtually subsumed by the male-centric Biblical narrative, I say it’s about time. The Red Tent features an impressive ensemble of actors. Rebecca Ferguson (The White Queen) is a powerful Dinah. In one scene, she accuses her father of privileging her brothers over her, because “I’m only a daughter. Only property.” Her bitterness is palpable, her voice hoarse with uncontrolled fury.

Minnie Driver as Leah. Photo courtesy of Showcase

Minnie Driver as Leah. Image courtesy of Showcase

Dinah’s biological mother Leah is played by Minnie Driver, whom I loved in Good Will Hunting, and who brings an earth mother type wisdom to the role. Driver’s cast bio begins “Audiences may not know where Driver’s next character calls home, but they can be sure that no matter where it is, British-born Driver will make her authentic.” I agree. And finally, I have to fangirl over Iain Glen as Dinah’s father Jacob. Glen’s filmography is long and illustrious, but I know and love him best as Jorah Mormont on Game of Thrones. After being so totally rejected by Daenerys, it’s nice to see him have four women in love with him in Red Tent. Seriously though, I love his work in Game of Thrones, and he makes an appealing Jacob — torn between his need to make his legacy strong and his desire to do what’s right for his daughter.

Iain Glen as Jacob. Image courtesy of Showcase

Iain Glen as Jacob. Image courtesy of Showcase

The Red Tent is a powerful story, a much-needed woman’s voice making her story heard through the centuries of patriarchal history. Originally a novel by Anita Diamant, it premieres tonight at 10 ET/PT as a two-part TV miniseries on Showcase. + Thank you to Showcase for a screener of this show in exchange for an honest review.

Review | The Boston Girl, Anita Diamant

22450859How did you get to be the woman you are today? Eighty-five year old Addie Baum is asked this question by her granddaughter, and thus begins a reflection on a young woman’s life in 20th century America. In Anita Diamant’s The Boston Girl, we learn about Addie’s involvement with a women’s reading society, her battles with sexism in the field of journalism, and her budding romance with her eventual husband.

Diamant has created a cast of memorable characters, and I loved reading about Addie’s family (overbearing mother, saintly yet unhappy sister, all mostly just trying to make the best of life in a new country) and friends (the street smart, artistic best friend, the women fighting for female liberation, a range of women trying to carve a better place for women in general).

The Boston Girl is a lovely, breezy read. The story covers major historical events like World War I and the rise of first wave feminism, yet presents them with an intimate, personal air. We feel much like Addie’s granddaughter, listening in rapt fascination to a woman whose story will likely never be in the history books and yet is part of history all the same.

The rise of feminism is my favourite part of the novel, which may explain my disappointment that Addie’s narration ends more or less with her marriage. On one hand, I like that Addie’s story is probably a more common one for women at the time, and that we have a tale many grandmothers can relate to, rather than a girl power type manifesto. I also know, logically, that of course she’ll meet a man, who will then become the grandfather of the young woman to whom the story is told. Also logically, there’s nothing that says she didn’t continue with her journalistic crusades after marriage. Still, on the other hand, part of me wishes the happy ending had involved making a landmark change in the fight for women’s liberation, rather than settling down into being a wife and mother.

+

Thank you to Simon and Schuster for an advance reading copy of this book in exchange for an honest review.