Review | The Children Act, Ian McEwan

McEwanI had such high hopes for this book. The question of religious freedom versus one’s well-being is so fraught with nuance that there is never an easy answer. When even individuals can be conflicted about where we stand, personally, on certain issues, how much more difficult must it be for law makers and law enforces, who must weigh the needs of a wide range of people.

The Children Act is about Fiona, a High Court judge, who must decide on the case of seventeen-year-old Adam’s right to refuse life-saving medical treatment due to religious reasons. As a minor, his parents’ wishes must be taken into account, but in this case, they’re all in agreement that he should be allowed to refuse. The question is, should the court intervene and save his life? Can a seventeen-year-old, who has grown up in a devout household, truly be said to be making an informed choice when he decides on religious belief over his own life?

To help her reach a decision, Fiona decides to visit Adam, and her judgement is further complicated by the bond she forms with the boy. Being childless herself, the moral dilemma of allowing a child to die is particularly difficult for her to face.

This leads to a third act plot development that just completely ruined the novel for me. Without giving too much away, I’ll say only that it turned the book ordinary. Despite such a promising set-up, with such nuanced ethical quandaries to face, McEwan instead chooses to focus on Fiona’s personal life, which is a valid choice for sure, yet also one that deflates the novel somewhat. The ending returns somewhat to the question of religion and its role, but I still wish the novel had grappled with its themes just a bit more than it did.

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Thank you to Random House Canada for a copy of this book in exchange for an honest review.

Review | Black Dog Summer, Miranda Sherry

23574104When Sally is brutally murdered on her farming commune in South Africa, her spirit remains tethered to this world and the people she left behind. Similar to The Lovely Bones, Miranda Sherry’s debut novel Black Dog Summer is about a family dealing with grief and, more significantly, with all the issues left unresolved before death. Sally watches as her teenage daughter Gigi falls into a deep depression alleviated only by drugs. Her estranged sister Adele, her brother-in-law and unrequited love Liam, and their daughter Bryony are all struggling to come to terms with Sally’s death, and with the addition of a silent, troubled teen into their home.

Sherry’s writing is beautiful, and I love how she describes her characters’ lives as threads of stories that Sally must follow before she can move on. Sherry also weaves in a bit of a supernatural feel — the darkness Bryony senses in the aftermath of her aunt’s murder takes the form of a black dog out to harm her and her cousin. Bryony’s next door neighbour Lesedi is a reluctant sangoma, someone in touch with the spiritual realm and can communicate with the dead, and anchors the story’s shifting between both worlds.

My favourite passage in the novel comes early on, almost immediately after Sally is killed. She hears a noise, a “whispering, humming, singing, screaming awfulness.” She soon realizes that

The noise comes from Africa’s stories being told. Millions upon millions of them, some told in descending liquid notes like the call of the Burchells’ coucal before the rain, and some like the dull roar of Johannesburg traffic. Some of these stories are ancient and wear fossilized coats of red dust, and others are so fresh that they gleam with umbilical wetness…

[My family’s story is] just one story amongst millions, and yet it has become so loud now that it drowns out the others. It is howling at me, raging, demanding my attention. I look closer to find that this small, bright thread of story weaves out from the moment of my passing and seems to tether me to this place. Perhaps this is why I have not left yet. Perhaps I have no choice but to follow the story to its end.

Isn’t that beautiful? From that passage on, like Sally, I too felt compelled to follow this story to its end.

I also really like how Sherry connects the spirit world with the elemental one. Sally feels her being a spirit most keenly when Lesedi looks at her, and ironically, she is both most disconnected from the physical world and intimately connected to its elements. She has become an Ancestor, one with the millions upon millions of stories of the past and connected as well somehow to the potential of the future. What a beautiful way to think of the afterlife!

Black Dog Summer is a very emotional book. Much of the story within the physical world is told through Bryony’s point of view, and as a tween, she is barely able to cope with what has happened to her aunt. She looks up the term “massacre” in the dictionary, and repeats this definition several times. And indeed, when faced with something as incomprehensible as murder (not just murder, but mass murder), when having to deal with the overwhelming grief of a cousin you barely know who is now your roommate, when unable to comprehend the rising tensions between your parents, how can anyone cope?

This is a beautiful, heartbreaking, page turner of a book. Like Sally, we as readers are invested in the story while necessarily being detached from it. And like Sally, all we can do is hope it all works out for this family.

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Thank you to Simon and Schuster Canada for an advance reading copy of this book in exchange for an honest review.

Please note that the passage quoted above is from the ARC, and may be edited prior to publication.

Review | The Damned, Andrew Pyper

damned-9781476755144_lgAndrew Pyper does it again with The Damned. Creepy, atmospheric and with more than a touch of existential tragedy, the book is signature Pyper. I raced through the book in a couple of days, and ended up not quite knowing how to feel at the end.

“I have a talent for dying,” protagonist Danny Orchard admits. “It’s the one thing it seems I can do, not just once like everyone but over again.” Danny is a middle aged man who had narrowly escaped death at 16, in a fire that ended up killing his beautiful, psychotic twin sister Ashleigh. Now a bestselling author who’d penned an account of his experience in the “After” (Danny’s term for the afterlife), Danny has lived his entire life haunted by Ashleigh’s spirit, who appears determined to take Danny back into the After with her.

Just like my favourite Pyper novel The GuardiansThe Damned focuses on the intensely personal, small scale, individual type of horror. Danny’s attempts at a normal life, foiled by his sister’s spectre appearing at inopportune moments illustrate a very personal kind of hell on earth. Pyper includes other characters who are undergoing similar experiences with their own departed unloved, and these incidents are both chilling and tragic. On one hand, The Damned is a freaky horror story (a scene with a washing machine almost gave me nightmares); on the other hand, it’s also a potent metaphor for how we can never really escape the people who have touched our lives. An abusive father may die, but his daughters will never completely escape the effects of his abuse. Ghosts, whether corporeal or psychological, are real. Even Pyper’s version of the After is based on reality — a bit of earthly life stretched out to eternity. This grounds the unknown of death in something tangible, and makes the idea of hell even more within our grasp.

What elevates this straightforward horror story into something much more troubling is that Pyper resists comfortable, easy characterizations. For example, it would be easy to paint Ashleigh as purely evil. Just like the abusive father who haunted another character, Ashleigh’s cruelty lives on and impacts upon Danny’s life for decades afterwards. However, Ashleigh’s explanation of her nature, rooted in a near death experience the twins had in their mother’s womb, raises questions about good and evil, and the justice of her damnation. Questions that go far beyond a novel, and possibly into our own concept of heaven and hell, right and wrong.

The Damned is a fairly quick read, mostly because you just keep wanting to find out what happens next. But much like Pyper’s ghosts, the disquieting questions his novel raises linger on long after you turn the last page.

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Thank you to Simon and Schuster Canada for an advance reading copy of this book in exchange for an honest review.