Review | Russian Tattoo, Elena Gorokhova

21412301Elena Gorokhova follows up her memoir A Mountain of Crumbs with the story of her early life in America. From not knowing how to eat a hamburger to being overwhelmed by the wide range of choices at the grocery, her experience may strike a chord with readers who have moved to new countries themselves.

It certainly struck a chord with me — I fortunately never felt as confused by my new home as Gorokhova did, but I do remember having to learn things that my friends took as general knowledge. How to ride a bus and request a stop, for example. Or what a double double was (coffee with two creams and two sugars, for non-Canadian readers). Most of all, I remembered my mother, so confident and fluent in English back home, uncertain about how good her English sounded in her new country. Gorokhova’s story brought these memories to the fore, especially when she wanted a job teaching English as she did in Russia, only American English was different from the one she grew up with.

Russian Tattoo goes beyond Gorokhova’s adapting to America — even after she finds her footing, she has to learn how to deal with her new family and the arrival of her mother, whom she left Russia to escape. At one point, her husband tells her she needs to stop wishing for a new hand of cards and just work with the one she’s been dealt. Gorokhova’s response, that getting dealt a new hand altogether was her reason for leaving Russia in the first place, strikes a chord. Indeed, with all the changes you bring into your life, there are things you just can’t escape. Gorokhova herself realizes this later on when, raising her own daughter, she finds herself turning into the mother she tried so hard to escape.

The writing snags a bit in the episode with her brother-in-law fairly late in the book. While heartfelt and beautifully written, the brother-in-law is introduced such a short time before a significant revelation that I had to flip back a few pages to make sure I hadn’t missed this character earlier on. I understand that this mirrors Gorokhova’s experience — she too barely knew her brother-in-law at that point — but for a reader, it took away some of the impact. Overall, a beautifully written, moving glimpse into a family — three generations of women dealing with different cultural values and backgrounds and with each other.

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Thank you to Simon and Schuster Canada for an advanced reading copy of this book in exchange for an honest review.

Review | Prince Lestat, Anne Rice

21412673The Vampire Chronicles have always been my favourite among Anne Rice’s books, so I was thrilled when she announced a return to it with Prince Lestat. To be honest, it’s been awhile since I’ve read a Vampire Chronicles book, and while I vaguely remember reading Queen of the Damned (referenced a lot in this book), I remember nothing of the story. So parts of this book did confuse me, but overall, there was just enough backstory provided that I could figure it out.

In Prince Lestat, Rice not only re-introduces us to the Brat Prince, she also takes us deep into the very mythology of her vampires. As such, the book feels much larger than the story of its titular character. The story travels through time and among various points of view, and we learn a lot about how vampires came to be and how fragile their existence as a species really is.

The story is about the vampire world in crisis — a mysterious Voice speaks to select vampires, commanding them to burn seemingly random groups of vampires around the world. It’s vampire genocide, and no one seems to know why it’s happening or how to stop it. The Voice also contacts Lestat, though appears more interested in conversing with him than in commanding him. Lestat himself is his usual dashing, seductive self, though with a lot more pathos now than usual. I love the scenes with Louie and Armand, mostly because I remember them from Interview with a Vampire, and it was sweet to see how much Lestat still cares for Louie.

There are a lot of characters and their flashbacks, and it’s impossible to keep track of all of them, or remember how or if I’d ever known them from a previous book. As a result, I didn’t really care about any individual character, except for Lestat, Louie and Armand. I did become fascinated by the mythology, and by the eventual explanation of what and who the Voice is. I’m not sure how much I liked the resolution, but it did feel right.

I remember reading Interview with a Vampire years ago, and being absolutely spellbound by the language and the story. Anne Rice, at her best, is a master of literary seduction. Prince Lestat falls somewhat short of that mark, but it’s a fascinating story nonetheless.

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Thank you to Random House Canada for a copy of this book in exchange for an honest review.

Review | Emma, Alexander McCall Smith

20604787Alexander McCall Smith’s Emma is a funny and intelligent modern re-telling of the Jane Austen classic. McCall Smith is a master at language, and his take on the story features many wry observations and witty one liners that recall Austen’s style.

I particularly liked the updating of Mr. Woodhouse, now a rather neurotic scientist and overprotective father. Miss Taylor as well, as Emma’s governess, is a snappy and smart foil to Mr. Woodhouse, a caring guardian to Emma yet also a very practical modern woman.

My primary reservation with McCall Smith’s version is that it feels dated. With the exception of Mr. Woodhouse, it almost feels like a Regency period piece, with only a few markers here and there to remind us otherwise. The characters’ concerns about class, social status and marrying well are at odds with the contemporary setting. Emma does have a career, but it feels tacked on rather than integral to the story. The character has always been spoiled, even in the original Austen, but Austen’s version had a charm to her that appears lacking in McCall Smith’s. In this contemporary re-telling, we know Emma has the best intentions because Miss Taylor tells us so. But this Emma seems more true than the original to hold to Austen’s prediction that Emma will be a “heroine whom no one but myself will much like.”

Perhaps the characters in this particular Austen just don’t translate well to the contemporary era — George Knightley in particular seemed more pompous and self-righteous than I remembered. That being said, Amy Heckerling did a fantastic job adapting Emma into the movie CluelessGranted, Clueless is a much looser interpretation of the original Austen, but it keeps the heart of the characters — Alicia Silverstone’s Cher is exactly how I’d imagine a contemporary (well, 1990s) Emma to act. Clueless is dated, even today, but it still feels fresher and more natural than McCall Smith’s Emma. 

I actually enjoyed reading McCall Smith’s Emma. It was a fun, lighthearted read, and while Emma and Knightley irked me at times, McCall Smith’s deftness with language kept me entertained throughout. I also understand that McCall Smith’s project with this book was in no way similar to that of Clueless, and it would be unfair to compare both. This is a funny, well-written book, that felt just a tad too constrained by its purpose. I enjoyed reading this book, but I also kept wishing that I were watching Clueless instead.

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Thank you to Random House Canada for a copy of this book in exchange for an honest review.