Review | (You) Set Me on Fire, Mariko Tamaki

20622284Remember being seventeen and in love with someone you knew was bad for you? In (You) Set Me on Fire, when seventeen year old Allison Lee enters college, she has been in love once (disastrously), burned twice (literally), and appears headed for yet another romantic disaster. She finds herself drawn to beautiful classmate Shar, who soon becomes the centre of Allison’s universe.

As an adult, I immediately found Shar pretentious (the “too cool” outsider who looks down upon other students), and later emotionally manipulative and utterly messed up. I honestly didn’t understand the appeal, when there were perfectly nice classmates like former cheerleader Carly who were inviting Allison to join them in various activities. However, thinking back to myself as a teenager, I have to admit Allison’s decisions may not have been so far-fetched as I’d like to think.

Tamaki is fantastic at capturing the teenage voice. Allison sounds like a teenager without the usual Clueless/Valley girl trappings of authors trying too hard to sound young. Allison sounds smart, and more than that, funny. Here is a story about a girl heading into a toxic relationship, who’s had some problems with fire, and who feels she doesn’t quite fit in with others her age — and it’s funny! This is not to diminish everything Allison is going through — at times, her encounters with Shar and her flashbacks to her previous romantic disaster (high school classmate Anne), are almost painful to read because the emotions are so raw. But the narrative as a whole is laced with sardonic humour, and that, combined with an ever-present undercurrent of raw vulnerability, makes Allison’s story so powerful.

Take a look at this passage for example, shortly after Allison enters college and realizes her classmates there know nothing about her or her past:

So for a brief moment in time I was in the freshman threshold of opportunity: the people around me knew only what I’d told them about myself, Nothing more. They’d had almost no time to formulate an opinion for themselves and no one was around to inform them of anything different from what I said or what I did. If I smiled and giggled at their jokes, I could be a happy-go-lucky person. If I slept with the first boy I laid eyes on, I could be a slut. I could even get in a fight and be a loose cannon or a bully.

The world was my oyster. [p. 38]

I remember that moment of opportunity, that moment when I could completely reinvent myself, redefine who I’ve become. It happens every now and then, with a new school or a new job or even a new city. It’s exhilarating, and a great part of figuring out who you want to become. That moment of hope, so early in Allison’s story, is particularly poignant as we read on, and realize she’s falling into an old pattern, and that this too is a familiar experience for anyone trying to reinvent themselves.

The brilliance of Tamaki’s writing is evident even in the title, which is possibly one of my favourite book titles ever. The parenthesis create a dual layer of meaning, with both layers somewhat at odds with each other. The declarative, almost accusatory romantic statement “You set me on fire” is in tension with the directive “Set me on fire,” which could be either a demand or a plea. This subtlety is carried through with her use of fire as a metaphor, a somewhat overused symbol for passion, yet in Tamaki’s hands it feels fresh. From Allison’s scar to escalating incidents with fire in the story to the striking allusions to history and mythology, fire is woven through the narrative in a masterful way that is overt without, to my mind, ever being over the top.

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I made a pledge in 2015 to read books by Asian American women writers, based on a list compiled by Celeste Ng. Mariko Tamaki isn’t on the list, but this book happened to catch my eye in a shop, and I’m glad it did. If you happen to be joining me on this pledge, I highly recommend you add this to your list as well.

50 Book Pledge 2015 | Asian American Women Writers

I’ve always been a fan of Harper Collins Canada’s 50 Book Pledge, but as I explain in this 2012 blog post, I love it more for its celebration of reading and for the community of readers that it builds rather than for the motivation to read 50 books in a year. Part of that, to be honest, is because I’m such a book nerd that I probably read 50 books or more in a year anyway, and aiming towards a particular higher number like 100 or 150 books feels a bit arbitrary.

Then I read Glenn Sumi’s article on the 50 Book Pledge, and how it inspired him to go from  five or six books a year to 55 in 2014. The article is titled “My year of magical reading,” and it reminded me of how inspiring — how magical — a reading resolution can be.

And that’s when I decided to make my own pledge this year. I’d recently read an excellent article by author Celeste Ng, about the lack of awareness around female Asian American writers. Ng talks about the feedback she’s received that there aren’t enough female Asian American writers around to invite to speak at conferences and panels, and then sets about proving this assumption wrong. She takes to Twitter to invite female Asian American writers to raise their hand and be counted, so to speak, and then ends her article with a fairly impressive, though by no means comprehensive, list of these writers.

So here’s my 50 Book Pledge of 2015: I will read books by writers on that list, as well as by other female Asian American writers who I encounter that may not be on that list. I cannot promise to read 50 books by Asian American women writers, because there are a lot of other books I want to read that don’t fit in this category, but I do pledge to do at least one a month.

Here’s the reason for the pledge: I agree with Celeste Ng that there isn’t enough awareness of Asian American writers, and particularly female ones. I find that despite efforts to the contrary, much still has to be done to achieve gender equality in terms of book review space in prominent publications. I also find that ideas of “Asian American” literature are generally limited to East Asian writers, and I’m thrilled to find that Ng’s list includes Southeast Asian (including a few Filipinos!) and South Asian writers. As a female Filipino-Canadian, all of this matters to me. And this pledge is my way of taking a stand and saying Asian American voices matter, female voices matter, and the publishing industry needs to pay more attention.

In this, I am also somewhat inspired by others on Twitter who have mentioned pledging to read more diverse books this year, or more books by women writers. I love this idea of reading for a cause, of an activity for pleasure also being an instrument for change. I realize this may sound somewhat pretentious — I am only one reader, who will likely borrow most of her books this year from the library. But then I think, if many readers do something similar, then perhaps a movement can happen. And perhaps a difference will be made.

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If you want to join me in this pledge, here again is the link to Celeste Ng’s article with the list of writers to check out. I also created a shelf on Goodreads with some titles from the authors on that list that I personally am interested in reading.

Review | Count Me In, Emily White

21984212How do you connect in an increasingly disconnected world? This book details Emily White’s various attempts to find a sense of connection and belonging.

White has an easy narrative style — her list of attempts are a series of episodes, many ending with her feeling like something was still missing.

Some episodes were interesting — I enjoyed the chapters about the pig activists and the Pilates class. Unfortunately, while I sympathize with the inability to find the right “fit” with a group, the narration sometimes came off as repetitive, whiny and indulgent. I had to agree with White’s friend Laura who, after one of the episodes, asked “with a hint of sarcasm that wasn’t quite like her” if White felt “part of something.” You could almost hear the “yet” at the end.

Another friend early on called White out on not connecting with her neighbours because they weren’t rich enough, & I realized that’s part of what bothered me about White’s writing. Her tone is one of privilege, & her quest comes off as self-centred. In the incident with Laura earlier, rather than express concern over why Laura had been uncharacteristically sarcastic, White instead takes the question at face value and uses it as a springboard to think about her own feelings.

White goes from one cause to another, & while she professes to sympathize with animals and nature in general, her observations are more about how the group leader treated her and how overly friendly the group members are. She tries to be self-effacing but doesn’t quite have the humour to pull it off.

To her credit, she does admit her shortcomings throughout and learn from her experiences near the end. And once she does learn, the writing becomes less episodic and more insightful. An experience with her dog near the end was by far the strongest part of this book – it was heartfelt, beautifully written, & led to possibly the most important insight in her quest for belonging.

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Thanks to Random House Canada for an ARC of this book in exchange for an honest review.