Review | Blue is the Warmest Colour, Julie Maroh

9781551525143_BlueIsTheWarmestColorJulie Maroh’s Blue is the Warmest Colour is a sensitive, beautifully illustrated lesbian coming out story set in France in the 1990s. High school junior Clementine falls in love with Emma, a punkish, confident girl with blue hair. We know from the first page that the story won’t end well — the novel begins with Emma visiting Clementine’s parents after Clementine’s death. As we later then view their relationship unfold through Clementine’s journals, there is a bittersweet tinge throughout. We see Clementine’s first, confused, feelings of sexual attraction, and we see Emma’s reading and responding to these words.

Their romance is itself rather bittersweet. Emma has a jealous girlfriend at the time, and Clementine has been drilled to believe that homosexuality is wrong. And even when Clementine feels ready to take the plunge, Emma is hesitant to risk it. The conservatism of Clementine’s family takes a disheartening turn, and the story leaps forward several years, presenting a rather bleak picture that sadly feels realistic. The ending felt rather unnecessarily dramatic, but the rest of the story is told with such subtlety and grace that the novel as a whole is still really strong.

Maroh’s storytelling is subtle and her illustrations graceful and lovingly rendered. Even her sexually explicit scenes are more about making love than having sex. Her decision to render everything in shades of gray with accents of blue gives the story a dreamy feel; the treatment almost feels like music.

In a Q&A with the publisher, Maroh points out that even though the book is first set in 1994, the climate for queer youth in France still hasn’t improved much. She says, “The best thing this book could do is help queer youth, somewhere, somehow.” Indeed.

The live-action French film version of this novel was the winner of the Palme D’or at Cannes 2013. It will be released in North America in Fall 2013 through Sundance Selects/IFC Films (USA) and Mongrel Media (Canada). Given how musical the story felt even on the page, I can’t wait to see it translated on the screen.

International trailer with English subtitles below:

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Thank you to Arsenal Pulp Press for a copy of this book in exchange for an honest review.

TIFF Books on Film | TIFF connects booklovers with brilliant cinema!

Host Eleanor Wachtel. Photo courtesy of CBC.

Host Eleanor Wachtel. Photo courtesy of CBC.

Heads up book lovers and film buffs! The Toronto International Film Festival is launching a new Books on Film series tonight, February 11. Hosted by Eleanor Wachtel of CBC’s Writers and Company, this monthly event at TIFF Bell Lightbox features filmmakers and authors in an in-depth discussion about the art of adaptation.

Can a film ever live up to the book? No easy feat, and some booklovers would say it’s impossible. Personally, there are some Poirot adaptations I’ve enjoyed more than the book, thanks to the brilliance of David Suchet. Same with the Dexter Morgan series and, quite possibly, 2011’s Tinker Tailor Soldier Spy.

TIFF Books on Film 2013 Schedule:

*All films are on Monday evenings at 7 pm.

February 11— Hilton Als (author and New Yorker theatre critic) on The Innocents

March 4 — Richard Russo (Pulitzer Prize–winning author) on Nobody’s Fool

April 8 — Lisa Cortés (music and film producer, driving force behind success of Def Jam Records) on Precious

May 6 — Christopher Hampton (award-winning screenwriter and playwright) on Atonement (which he adapted to screen)

June 3 — Ted Kotcheff (filmmaker and executive producer of Law & Order: Special Victims Unit) on The Apprenticeship of Duddy Kravitz

June 24 — Deepa Mehta (Canadian filmmaker) on Midnight’s Children

Which ones am I excited about?

Film still from The Innocents. Photo courtesy of Photofest.

Film still from The Innocents. Photo credit: Photofest

The Innocents is based on one of my favourite horror stories ever — Henry James’ The Turn of the Screw. And to have the opportunity to listen to a critic from The New Yorker discuss it — amazing opportunity! Tonight!

Film still from The Apprenticeship of Duddy Kravitz. Photo courtesy of TIFF Film Reference Library

Film still from The Apprenticeship of Duddy Kravitz. Photo credit: TIFF Film Reference Library

I love Mordecai Richler, and I remember viewing a clip from Joshua Then and Now in a university Can Lit class. Duddy Kravitz is a classic.

Film still from Atonement. Photo credit: TIFF Film Reference Library

Film still from Atonement. Photo credit: TIFF Film Reference Library

I remember reading this book and feeling absolutely cheated by the ending. Still, I’ve heard good things about the movie, and am definitely interested in seeing it on the big screen.

How to subscribe:

Subscriptions to the series are available for $153 for TIFF Members or $180 for non-members (prices include tax). Based on availability, single tickets may be released closer to the event. Subscriptions are on-sale at tiff.net/subscriptionseries.

Additional bonus for book lovers: The first 100 subscribers will receive a complimentary copy of each book featured, courtesy of Random House Canada.

First film is tonight – The Innocents, based on Henry James’ Turn of the Screw.

Author Encounter | Rachel Joyce

I have been looking forward to Rachel Joyce’s The Unlikely Pilgrimage of Harold Fry ever since the Random House Canada Blogger event, where the book was compared to Major Pettigrew’s Last StandSo when I received the following invitation from Chatelaine Books, I was so excited I sent in my RSVP right away.

The story of Harold Fry begins when he receives a letter from an old friend who has fallen ill. On his way to post a response, Harold instead makes the decision to walk across England to see his friend in person. I’m not much of a romantic, but the image of an elderly man painstakingly making his way across a nation just to see an old friend struck me as lovely. For some reason, Harold reminded me of Stevens, the butler from The Remains of the Day, and a character I imagined as dignified and honourable caught my interest. I still haven’t read the book, so I have no idea how accurate my impression of Harold’s character is. However accurate I turn out to be, however, this is still a testament to the power of Joyce’s concept that her story has captured my imagination so strongly even before I’ve opened the book.

Then, as if I needed even more reason to be excited, the week before the event, I learned that Harold Fry was long-listed for the Man Booker Prize. So, even before I read Harold Fry and post a review, if you’re thinking about checking this book out, know that the Man Booker jury has given it a thumbs up. And yes, I have to admit, the idea of meeting a Man Booker long-listed author in person did have a thrill.

Image courtesy of The Oxley website

Thank you to Chatelaine Book Club for an awesome event. The Oxley Public House is gorgeous! When I heard the event was going to be at a pub, I was expecting a long table by the bar, or perhaps mingling around a few tables. Instead, it turns out Chatelaine booked the second floor bar, which looks like an old English drawing room.

The bartenders were really friendly. I saw one of them flipping through a copy of Harold Fry in the latter part of the event, and talking to his colleague about it. I love that they seem to be excited about the book as well, and I think I saw Chatelaine give them copies as well, which I thought was really sweet.

The food was also delicious — we had lovely fancy hors d’ouevres, but what I really remember is greasy fish and chips in paper cones. It fit in well with the British ambiance, and I at least mastered the art of eating fish and chips from one hand while still holding my martini in the other.

Rachel Joyce is just lovely in person. Laurie, the Books Editor at Chatelaine, said Harold Fry made her and her colleagues sob, literally. When Rachel read an excerpt, I had an uncomfortable feeling I’ll have a similar reaction. In the excerpt Rachel read, Harold calls the hospice where his friend Queenie is:

“Tell her Harold Fry is on his way. All she has to do is wait. Because I am going to save her, you see. I will keep walking and she must keep living. Will you say that?”

[…] “I see,” said the voice slowly, as if she had picked up a pen and was jotting this down. “Walking. I’ll tell her. Should I say anything else?”

“I’m setting off right now. As long as I walk, she must live. Please tell her this time I won’t let her down.” [p. 19]

After her reading, Rachel explained how Harold’s story, originally written for radio, was inspired by her father being diagnosed with cancer. He was told it would be terminal, yet even after his operation, while lying in his hospital bed, her father would be dressed in a suit and tie, as if on his way to work. Harold Fry is Rachel’s way to honour her father’s legacy.

The book, Rachel says, has gone on a pilgrimage of its own. With each new reader, and in so many countries, Harold Fry has travelled far beyond her and her tribute to her father. I love how genuinely overwhelmed she seems at how much her book has touched so many people’s lives.

Rachel’s story about her father, along with the excerpt she read, touched me deeply. I wasn’t with my mother when she passed away, and I remember vividly the desperate plea — to god, to the universe, to whoever, really — to have her hold on at least until I arrived. I knew it was futile, even selfish, yet part of me wished I lived in a book or movie, where the big dramatic build up just makes the happy ending so much sweeter. So from Rachel’s excerpt alone, I’m rooting for Harold all the way. I don’t know if he’ll make it to Queenie in time; I don’t even know how much the race against time will play into the story. But I am rooting for him. This book has just become personal.

Thank you to Chatelaine Books and Random House Canada for the opportunity to meet Rachel, and to get together with fellow bloggers. It was a wonderful experience, and I look forward to reading the book.

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Rachel Joyce will be reading at the International Festival of Authors in October. Stay tuned to the IFOA website for updates on her schedule. Trust me: you’ll want to hear her read.