Review | Dare Me, Megan Abbott

Megan Abbott’s Dare Me was much more chilling than I’d expected. Remember high school? Friendship is important no matter how old you are, but somehow, in high school, the status of friend took on an almost do or die quality. Friendship was a status symbol, as was the ever elusive BFF tag. This is not to diminish high school friendships — many of the deepest, most lasting friendships I have were forged in high school. Still, the thrill of having a popular classmate, the Queen Bee of whatever social group, notice you, even validate you, seems to have been strongest in high school.

Dare Me is a cheerleading novel, depicting a world Bring It On and Sweet Valley never revealed. Cheerleading in Dare Me is like ballet in Center Stage: tough, competitive, borderline physically abusive. Yet unlike Center Stage or any similar sports movie, Dare Me uses cheerleading as the backdrop for an exploration of female teenage friendship and its entrenched social hierarchy. We have passages about cheerleading, poetic descriptions of bodies knifing through the air in death defying stunts, yet these descriptions never feel romantic like, say, Chris Cleave’s depiction of cycling in Gold felt romantic. There’s anger and defiance in Abbott’s descriptions of cheerleading stunts — in the parlance of her characters, a big fuck you, bitches, watch me fly.

The story is narrated by Addy, lifelong lieutenant of cheerleading captain Beth, until Coach French takes over the cheerleading squad, and wins Addy over. In some ways, Coach French is the kind of inspirational leader/mentor young people long for — she believes in the squad’s competitive potential, and has the ability to make the members exceed their limitations. She also takes her role too far, demanding both athletic excellence and eating disorder level diets from her squad.

What makes Coach French truly creepy however, is that she is a Mean Girl that never grew up. She clashes immediately with Beth, mostly because there can be only one Queen Bee, and the whole idea of a woman in her late twenties waging war against a high schooler for clique supremacy shows just how lonely and messed up Coach French is. She tells Addy that Beth’s scheming is amateur, yet ironically, her own tactics are very high school. For example, to cut Beth down to size, she fires her as cheerleading captain (even removes the role completely) and assigns Flyer (the star in squad routines) to a girl Beth always picks on. This could have been an empowering move by an adult, but Coach French’s glee in seeing Beth’s frustration keeps her just as immature as her adversary.

Beth is hardly a character that evokes sympathy — she’s bitchy and manipulative, and she tears down other girls just to win the battle against Coach French. Yet, buried deep inside is a touching vulnerability, most clearly seen in her friendship with Addy. At several points in the story, she calls Addy stone cold, tough, a fox. “It was always you,” she says. Addy may have been Beth’s second-in-command, but we see how much the power dynamic is really reversed from Beth’s point of view. Even though Addy doesn’t realize it, Beth really craves her approval, her validation, above all, her friendship. So when Addy, like the rest of the squad, becomes enthralled with Coach French, Beth’s battle against the coach becomes personal — much more than supremacy over a cheerleading squad, it’s a battle to be Addy’s BFF. Dare Me dares to explore just how far some girls will go to win such a battle, and kudos to Abbott for not holding back.

Dare Me is ultimately Addy’s story, however. At the centre of Coach French and Beth’s power struggle, Addy is embroiled in a lot of seriously messed up events, and when everything seems to be about power dynamics, she is unsure who she can trust. Addy is in a state of flux, both uninterested in going above her lieutenant role and secretly yearning to be the Flyer on the squad, the Queen Bee as it were. Well, why not me? she asks. Why not, indeed?

Dare Me didn’t blow me away. It started off slow for me, possibly because Abbott’s language sometimes slipped into Virgin Suicides-style philosophizing and navel gazing, e.g. an early rumination on how long it takes to wash off the glitter after a game. The whole cheerleading-as-metaphor angle also seemed overdone at times — at one point, a former squad member comments that being a spectator rather than a participant for the first time made her realize that the cheerleaders looked like they were killing themselves, literally. The comment was just overly dramatic, and the message far too hammered home.

However, Dare Me definitely exceeded my expectations. A dark and twisted take on friendship and cheerleading as blood sport, Dare Me thrills and disturbs.

+

Thank you to Hachette Book Group Canada for a finished copy of this book in exchange for an honest review.

Review | Lethal, Sandra Brown

Lethal by Sandra Brown is a fun romantic thriller. Honor was enjoying a quiet day with her daughter Emily when both are taken hostage by suspected mass murderer Lee Coburn. Hardly the set up for romance, except it turns out that Lee has his own version of what happened the night of the murders. He also thinks Honor’s husband had been killed over a secret, and that that secret has now made Honor and Emily a target for The Bookkeeper, a mysterious, ruthless crime lord. Who can Honor trust, and will Coburn keep her and Emily safe? Lethal goes from plot twist to plot twist rapidly, and the chemistry between Honor and Coburn is great.

It was a bit difficult to see Coburn as a potential hero in the beginning — he was still bloodied up and injured from the evening of the murders, and he kept threatening Honor with Emily’s safety if she didn’t cooperate. So I’m glad Brown kept the sexual tension in these scenes to a minimum — we see hints of Honor and Coburn finding the other attractive, enough to set up the eventual romance, but the focus is on Honor’s fear and her concern for Emily.

Once Honor decides to trust Coburn, the story really takes off with a hunt for Eddie’s secret and to escape from The Bookkeeper. While I don’t usually like the kid characters in thrillers like this, I thought Emily was well done. Her innocence and charm help counterbalance Honor’s fear, and urge out Coburn’s softer, sweeter side. The mystery was well done — I had no idea what Eddie’s secret was, and with even Coburn in the dark, I had no idea how they could find out. I somewhat guessed the identity of The Bookkeeper before the big reveal, but that was probably more luck than anything (as in I had about three major suspects and one of them turned out to be right).

On a minor note, there’s a subplot that I loved, about the FBI agent Tom, his wife Janice and their special needs child Lanny. Tom is a desk jockey, somewhat out of his depth in a murder investigation (the manhunt for Coburn), yet hopeful that his more exciting role will impress his wife. In a touching scene, Tom suggests to Janice that they put Lanny in a facility.

…he spoke before she could. “That’s not a criticism of you. Your patience and endurance amaze me. Truly. But caring for him is killing you.”

“You’re exaggerating.”

“Am I? It’s shredding you, body and soul. I see evidence of it daily.”

“You can look into my soul?”

Her sarcasm was more effective than a flat-out rebuke would have been. [p.101]

In the midst of all the thrills and adrenaline over Honor and Coburn’s story, Brown gives us this quiet, fraught exchange between a long-married couple. It’s an intense scene, one that immediately made me care for both characters and want them to work things out. That scene ended even more sadly, with Tom going to bed and realizing his wife preferred playing word games on her phone with someone in Singapore to sleeping with him. The Tom and Janice story turned out to have a bit of a twist in the end, adding even more layers to their relationship. Personally not too happy with their part in the story, but I do like their characters.

I’m also not too thrilled with the way Lethal ended. It just felt gimmicky to me, and I wish Brown had opted for a more traditional ending. Still, I like the chemistry between Honor and Coburn, and I thought the mystery was fun and fast paced. Overall, Lethal is a fun, exciting, romantic read.

+

Thank you to Hachette Book Group Canada for a finished copy of this book in exchange for an honest review.

Review | The 500, Matthew Quirk

James Patterson compares Matthew Quirk’s The 500 to John Grisham’s The Firm and it’s easy to see why. Just like Grisham’s protagonist, Mike Ford is a fresh-faced hot talent who gets in way over his head in a high-powered career. Quirk takes the premise to Washington — “The 500” refers to the 500 most powerful people in Washington, usually those pulling the strings from the sidelines. Mike Ford has been hired straight out of Harvard Law School to join the Davies Group, Washington’s most powerful consulting firm. The Davies Group mandate is to make things happen for their clients, and that usually entails convincing one or more of the 500 to agree to something. As an ambitious young man raised in poverty and with a con man for a father, Mike’s street smarts provide fresh perspective for the Davies Group, otherwise staffed with privileged intellectuals.

The 500 is more action-packed than I remember The Firm to be. While The Firm, from what I remember, dealt a lot with the protagonist’s loss of innocence and the development of his relationship with his wife, The 500 focuses on the mystery — what are Mike’s bosses hiding? What do they want with an alleged war criminal? Why are they shutting Mike out and can Mike trust them? Unlike Grisham’s protagonist, Mike begins this story no longer an innocent. He has been trained by his father to be a con man, and has since struggled to live on the right side of the law. Unfortunately, his employment at the Davies Group forces him to use his long-suppressed con man skills, first to succeed, then later on, to survive.

Davies Group founder Henry Davies has built his empire on the tenet that everyone is corruptible. There’s an interesting reversal here — the law-abiding “good guys” manipulate people into corruption, and Mike’s old law-breaking “bad guy” acquaintances may be the only ones he can trust. It’s an old notion, and one that I think Quirk hammered home far too much. At one point near the end, just in case we hadn’t gotten the point yet, the narrator makes just that observation. It turns an otherwise fascinating story into a morality tale, and I wish it had been handled more subtly.

I do love the relationship between Mike and his father. Mike has tried his whole life not to become like his father, yet we see early on how much his father has influenced his life. I love the way Mike’s understanding of his father develops — it felt more genuine than Mike’s romance with a co-worker, and added a nice touch of emotion to this thriller. The romantic subplot was okay. At times the love interest felt more like a kick-ass Angelina Jolie fantasy figure — the perfect partner for a con man, who may or may not be trustworthy — than an actual woman.

Overall, the best part of The 500 is the mystery. I love that I couldn’t figure out what the Davies Group was up to, nor could I tell who Mike could trust. More than the Davies Group tenet that everyone’s corruptible, the House M.D. idea that everyone lies holds true in this book. The mystery was fast-paced and exciting, with unexpected twists. A lot of the action scenes and coincidental twists were a bit far-fetched, and would probably work out better on a TV or movie screen than a book. As well, despite the Washington D.C. setting, I would not consider The 500 to be a political thriller — I know there are major political consequences to the actions of the Davies Group, but the narrative was too focused on Mike’s experiences within the company to explore the bigger political picture. That being said, The 500 is a fun read and hard to put down.

+

Thank you to Hachette Book Group Canada for a finished copy of this book in exchange for an honest review.