Review | The Love Song of Miss Queenie Hennessy, Rachel Joyce

20890479I fell in love with Harold Fry in Rachel Joyce’s novel about his Unlikely Pilgrimage. How could I not? Here was a quiet, non-adventurous man setting off to walk the length of England to see his old friend Queenie Hennessy before she dies. I can never forget that scene: Harold on the phone to the nurse at Queenie’s hospice, saying “As long as I walk, she must live. Please tell her this time I won’t let her down.”

And now we get to see him through Queenie’s eyes. In this companion novel, Joyce tells us Queenie’s story, partly how she waits for Harold to arrive, and also partly how she lived before the whole pilgrimage began. Love Song is a wonderful novel, one that may make you tear up, and one that will make you fall more in love with Harold and Queenie than ever before. I read it in a weekend and though I didn’t cry like I thought I would, I did enjoy returning to Harold and Queenie’s world. I didn’t like it as much as Unlikely Pilgrimage, and I think it’s because this was a dose of reality that, for me, took out some of the charm of the earlier book.

One of the things I loved about Unlikely Pilgrimage is how Joyce refrained from the typical love story and kept the relationship between Harold and Queenie purely platonic. I was fascinated by the stocky, plain featured woman who’d made such an impact on a man’s life without any romantic feelings involved. In this book, we find out that Queenie was in love with Harold since they first met. They still are friends, and being in love does not make Queenie any weaker as a character, but the story just felt more traditional, and that disappointed me. I also wish she’d somehow moved on beyond Harold, not necessarily falling in love with anyone else, and again, there’s nothing wrong with being in love with someone who doesn’t love you back, but it just made me feel sad.

Another thing that I was too caught up to think about while reading Unlikely Pilgrimage was how nonsensical Harold’s plan was. While walking with Harold, the idea of walking across England seemed romantic, a true giving of oneself. Now, with Love Song, reading as patient after patient dies while waiting alongside Queenie, I ended up asking myself multiple times why he didn’t just take a train. Harold’s pilgrimage inspires Queenie’s fellow patients, and several of them found waiting for him as a reason to go on living and celebrating. So it’s still a beautiful act. It’s just that, coupled with the harsh reality of people dying while they wait, the impracticalities of the plan kept coming into focus for me.

That being said, there are a lot of other things to love in this book. For example, we get to meet Harold and Maureen’s son. A focal point of tragedy in the first book, David becomes a more complex, well-rounded character in this one. There’s a lot going on with him that we never really get to fully explore, and a much richer, more complicated family life that we didn’t realize until now.

We also learn a bit more about Queenie’s life, and Joyce teases us with details of a complicated pre-Harold past. I wish I’d learned more about it — what kind of child was she, and who was this man who screwed up her life before she took the factory job and met Harold?

I also love the other patients in Queenie’s hospice. They are such a colourful cast of characters, and each death dims the story the slightest bit. I especially love the description of their drinks — nutrient-rich shakes that taste disgusting despite supposedly having flavours like vanilla and raspberry. I remember having to drink a concoction once for a medical procedure — it was supposed to taste like strawberry and it kinda did, but it was also like gulping down cement and was utterly disgusting overall. I’m sure their shakes were much more vile, but that concoction was what I was thinking of when I read about the patients raising their cups in a toast and celebrating Harold’s pilgrimage with a serving they deem extra delicious. Such scenes feel poignant, and just because of what I once had to drink, it was those party scenes that remain most memorable to me.

Queenie’s story is told through the conceit of a second, longer letter to Harold Fry, where she confesses everything — her feelings for him, her role in David’s life, the true story of how she and Harold first met, and so on. I have mixed feelings about the ending. On one hand, there was a twist that seemed unnecessary and confused me more than anything. What was the point of that? On the other hand, there’s an added touch of poignancy to that twist that I kinda really liked. So, quite fitting for a tale of such complex human emotions, I finished the book not knowing quite how I felt about it.

Overall though, I did enjoy the book. Joyce’s writing is as beautiful as ever, and her gift for making characters leap right off the page remains strong. If you love Harold Fry, do take a moment to see him through Queenie’s eyes.

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Thank you to Random House Canada for an advance reading copy of this book in exchange for an honest review.

 

Review | 2 A.M. at the Cat’s Pajamas, Marie-Helene Bertino

18815488Madeline Atimari is a rebellious nine-year-old and aspiring jazz singer. The eve before Christmas Eve, she decides to track down Philadelphia’s legendary jazz club The Cat’s Pajamas, and make her onstage debut. On the same day, her fifth grade teacher Sarina Greene is preparing for a dinner party that will reunite her with a high school crush. And at the Cat’s Pajama’s, club owner Lorca needs to raise $30,000 to keep the club from closing. Marie-Helene Bertino’s 2 A.M. at the Cat’s Pajamas is an uplifting, feel-good story of these three lives as they intertwine.

The book reminds me so much of the movie Love Actually or any one of a dozen holiday movie specials that my initial reaction was surprised that its publication wasn’t timed for a holiday release. I don’t mean that as a slam — it’s a charming, sweet read (the ending was downright sugary), and if you allow it to draw you in, it will make you feel good by the end. The characters were a bit difficult to keep straight at first, and I loved the schoolteacher storyline so much I sometimes wanted to skip over the club owner scenes. Still, despite some pretty sobering shots of reality, there’s such a fairy tale feel about the whole story that we can pretty much see where it’s all going, and how all the characters’ stories will intertwine at the end anyway.

It’s not quite magical enough to make a lasting impact on me, but it is a lovely tale that can sweep you away if you let it. In my opinion, it’s best read with a cup of hot cocoa with marshmallows.

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Thank you to Random House Canada for a copy of this book in exchange for an honest review.

Review | The Bone Clocks, David Mitchell

20819685How can I even begin to talk about David Mitchell’s The Bone ClocksTouted as Mitchell’s most ambitious, most “Mitchell-esque” novel ever, this massive beauty of a book kept me enthralled for an entire weekend. I devoured this book, unable to put it down. I took it with me as my sister and I went around Toronto, lugging the 600+ pages just for the briefest snippets stolen on the subway, or the blissfully long wait for a movie to begin… and the weight was so worth it.

First: major, major kudos to Peter Mendelsund and Oliver Munday for this beautiful cover. All respect for the UK cover, but this one has such ethereal beauty that I would encourage purchasing a copy just for the cover art (something that in the past, I’ve only really suggested for Chip Kidd covers).

Then, the story itself is a series of layers that spans about a century, with all of the stories delicately, intricately intertwined. I wish I were more familiar with Mitchell’s body of work, as I’ve heard he includes a lot of characters from previous books in this story, and it would have been pretty mind-blowing to recognize them as they appeared. The story begins with fifteen-year-old Holly Sykes, who runs away from home after an argument with her mother. As a child, she used to hear what she called “the radio people,” mysterious figures who we barely understand till much later in the book. A psychologist “cures” Holly of these visions, but unfortunately, she can never truly escape. The story follows her journey, and the lives of the people she touches — a Cambridge scholarship boy, a war journalist unable to connect with his family, a middle-aged writer who goes too far in beating down his rival, and so on. Each of these figures narrates a section of the story, and each of them encounters “the radio people,” at times with horrifying results.

The story reminds me of Stephen King’s books, with its creepy, surreal feel, and also of Kate Atkinson’s Life After Life in its epic sweep yet intimate tone. While I felt that Atkinson’s Life After Life fell short of its promise, Mitchell holds the narrative together well, and I found The Bone Clocks to be a much better constructed book. The book jacket describes the novel as “kaleidoscopic” and that’s a great way to describe it. Every time I felt like I was just beginning to grasp the story, something else happens, and it always felt like I was just glancing off the edge of what the story was really about.

Around three quarters of the way into the novel, we finally learn what the mysterious radio people are about, and the story settles pretty firmly into supernatural thriller mode. We learn about an age old battle between good and evil, with Holly and the other characters merely innocent pawns. I was expecting the stakes to be somewhat higher and the battle to be somewhat more epic, but I still love how all the threads came together, especially the significance of the image on the US cover.

My only real disappointment with this book was the final section. I’m sure Mitchell had his reasons for extending the story that far into the future, but after such a fantastical, epic, sweeping narrative in the previous sections, this one just felt like a letdown. It was a return to a feeling of reality, and a way to tie up remaining loose ends, and I just felt about it like I did about the epilogue of Harry Potter.

Still, overall, a beautiful, fantastic story. I love David Mitchell’s Ghostwrittennumber9dream and Thousand Autumns of Jacob de Zoet — a wide range of stories that demonstrates how versatile this author isThe Bone Clocks, by many accounts, is his most ambitious yet, and in true David Mitchell form, he pulls it off with flair.

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Thank you to Random House Canada for a copy of this book in exchange for an honest review.