Review | Birthdays for the Dead, Stuart MacBride

Wow. Stuart MacBride just never lets up, does he? I received an ARC of Birthdays for the Dead at the Harper Collins Canada Stuart MacBride event, and it’s the only book I have with the inscription “Bieber!” scrawled on it. (Long story.) At a quiet moment during that event, I flipped through the first chapter of Birthdays. I shuddered at the detailed, creepy-as-hell account of a twelve year old girl tied to a chair and a man singing Happy Birthday to her, “the words coming out all broken and hesitant, like he’s scared to get them wrong.” For some reason, that touch of shyness and vulnerability just made that man even creepier. The chapter was barely three pages long, and I glanced up afterward, not wanting to get so engrossed in the book that I forget I’m at a public event. I saw the author whose words had scared me so much, and he was laughing at something someone said. Such a jolly, friendly man, seriously one of the nicest, funniest authors I’ve ever met. Also the writer of one of the darkest, twistiest, and yes, funniest psychological mystery/thrillers I’ve ever read. To anyone who heard MacBride read the first chapter from Birthdays at a literary festival, fair warning: it just gets darker.

Detective Constable Ash Henderson is investigating “The Birthday Boy,” a serial killer who, for the past twelve years, has been abducting girls just before their 13th birthdays. The Birthday Boy then sends birthday cards to his victims’ parents every year, chronicling their daughter’s torture and death. Ash’s own daughter Rebecca was kidnapped five years ago, and he’s been keeping it a secret from everyone, even his family, so that he won’t be taken off the Birthday Boy case. Ash’s desire for revenge fuels his investigation, and his need to continue to keep it hidden, even as more bodies are found and he fears his daughter’s body might be next, makes life even harder for him. Worse, because his ex-wife and younger daughter believe that Rebecca ran away and just never contacted them again, Ash has to deal with his ex-wife’s angry comments about Rebecca and his younger daughter’s guilt-induced rebellious behaviour.

There’s a lot going on in Birthdays, and MacBride never lets you stop to take a breath. Ash is a very sympathetic, complex character, and MacBride does a great job making Ash teeter on the very fine line between hero and anti-hero. Even when Ash does morally questionable things, you understand. As a reader, I’d sometimes be torn between feeling very sympathetic for Ash and thinking he’d gone a bit too far — and all this in the same scene. Birthdays takes the reader on an emotional roller coaster — you want them to catch the Birthday Boy (seriously, such a horrible, evil villain) and you feel for the characters as well, because they all seem so real.

Speaking of characters, I love Dr. Alice McDonald! A forensic psychologist with a list of neuroses, she’s hilarious! She also has the amazing talent of getting into the minds of psychopaths, but she has to get really drunk before she can do it. A superhero with a tragic flaw! She also gets on the nerves of Ash and everyone she works with because she’s such a chatterbox. Possibly, if I had to work with her, I’d be annoyed too. As it is, I love reading about her. MacBride’s writing shifts effortlessly between hilarious and horrific throughout the novel, even with non-comic characters, but seeing Alice appear on the scene elicits an immediate grin. In the words of Ash Henderson: “Complete. And utter. Freakshow.” Love, love, love her!

Birthdays was the first Stuart MacBride book I’ve read, and I’m definitely reading more. (So far, I’ve also read Cold Granite, the first in the Logan McRae series, and loved it too!) MacBride isn’t afraid to delve into the darkest reaches of a murderer’s mind, nor is he afraid to have his hero get just as dark and twisty as the monster he’s tracking. You are sucked right into the story, and all you can do is hang on for the ride. Best part is that the irreverent humour that makes MacBride so wonderfully entertaining at author events electrifies his writing as well. Imagine Ricky Gervais writing Val McDermid. Birthdays is brilliant, psychological thriller writing at its best. Rarely have I wanted the villain in a mystery taken down more, and the fact that I got so invested in the outcome of this case is a testament to MacBride’s writing. If you’re a fan of Val McDermid or Jo Nesbo, you’ll love Stuart MacBride.

The blurb on the back cover of my ARC says it all:

Bloody. Brilliant. MacBride.

Stuart MacBride also has a totally “bookular” website and is friendly and funny on Twitter.

Review | Hanging Hill, Mo Hayder

The only other Mo Hayder book I’ve read was Pig Island, and it really creeped me out. I also found it gross, though I can’t remember exactly why (and to be honest, I don’t want to remember either). So I approached Hanging Hill with interest, but also a bit of trepidation.

There was a mystery in Hanging Hill — a teenaged girl was murdered — but the story really revolved around the lives of two sisters: Zoe, one of the detectives investigating the murder, and Sally, a divorcee whose daughter is the victim’s classmate.

From my experience with Pig Island, I was expecting a horrifying tale. Instead I got a very touching one, horrifying not in the gross, almost supernaturally creepy way of Pig Island, but in a much more basic, emotional way of seeing the lives of characters you care for turn out horribly. I felt bad for Sally, who was doing her best to take care of her daughter Millie. All Millie wants is to fit in with her wealthier classmates, and this leads to her making some bad decisions, which in turn forces Sally to take a job as housekeeper for a man with shady connections. It’s a difficult situation, and at times it felt like a horror movie, where you know Sally’s decisions will only lead to more trouble, and yet feel as helpless as she does in finding another way out.

Zoe is almost as sympathetic a character — strong-willed and hot-tempered, she sometimes came off as too defensive and jealous of the beautiful psychological profiler. She gets very involved in her cases, and Hayder shows how Zoe almost literally tries to identify with the victims. For example, the victim in this case was gagged with a tennis ball, so Zoe puts a tennis ball in her own mouth and forces herself to keep it in for as long as she can, to imagine how the victim must have felt in her final moments. Zoe also has some skeletons in her closet, and when the skeletons in her past somehow connect with the problems of Sally’s present, the momentum picks up and you can just see both sisters’ lives going out of control. The siblings are estranged, because of an incident in their childhood, and at times, I just wanted to yell at them to make up and get back together already, because it would help solve both their problems.

I especially love the Millie storyline. On one hand, I was annoyed by her for getting into such deep financial trouble just so she can join a school trip. On the other hand, I can only begin to imagine what a terrifying situation she was in, especially for a teenager, and I was more annoyed at the father (Sally’s ex) for not bailing her and Sally out. I loved the storyline of Millie being in love with the hot guy (who of course was in love with someone else), when Millie actually had a nerdy friend already in love with her. Sally promised the nerdy friend that someday, when Millie grew up, she’d see him in a new light. I thought that was sweet.

The mystery itself was pretty difficult to solve, and the ending took me completely by surprise. I thought the final scene was a particularly gutsy way to end the book. I actually checked if there were additional pages I’d missed — surely Hayder wouldn’t end it with that! — then, finding none, thought, “Good for you, Mo Hayder.” Hanging Hill takes a while to build up — it focuses so much more on character development than mystery solving — but once it gets going, the momentum just keeps building, and it ends with a bang.

Review | The Retribution, Val McDermid

I first read Val McDermid a few years ago, when I was really into psychological mystery thrillers. I read The Mermaids Singing, and, coming from Alex Delaware and Alan Gregory, found Tony Hill’s story really disquieting. The torture scene disturbed me so much I stayed away from other McDermid books, even though I admired her skill as a writer.

A few months ago, I found a copy of Mermaids at a library book sale, and thought to have another go at it. It was as dark and well-written as I remembered, though I no longer got as freaked out over the torture scene. Frankly, that in itself is disquieting. I blame Lisbeth Salander.

Bright side is that I then felt ready to read The Retribution, latest in the Tony Hill/Carol Jordan series. Retribution brings back Jacko Vance, a serial killer first introduced in Wire in the Blood and, from what I hear, one of Tony Hill’s most evil antagonists. Retribution is very much a series book, building on developments from other books. As a relatively new McDermid reader, I loved reading about deepening relationships and emotional scars from past events without feeling lost, and I can imagine how much richer an experience it would have been for someone who’s followed Tony and Carol through the past dozen or so books.

In Retribution, Jacko Vance breaks out of prison and is out to seek revenge against the people who captured him in the first place. He’s a malevolent and horrific figure, and even without having read Wire, I can understand the depth of Tony’s fear at learning of his escape.

More interesting, however, is that Vance’s break from prison is the catalyst for a story that delves really deeply into Tony Hill’s past and his psyche. Tony is a bit of an anti-hero. He’s so good at psychological profiling because he can really get into the mindset of a psychopath. Much like a broodier version of Dexter Morgan, Tony mostly “acts” at being human, acting much as he observes humans are supposed to act. The line between profiler and psychopath is so delicate in Tony Hill, and I love how Retribution reveals so much about Tony’s past, about his relationship with his cruel mother and about the motherly figure who kept him just this side of human.

We also meet Tony’s mother in Retribution, and I love how formidable a figure she is! I feel bad for Tony having to grow up with such a cold-hearted woman, but she’s definitely a fascinating character. I love the development of Tony and Carol’s relationship in this book. Jacko Vance’s actions threatened not just their romance, but also their friendship, and I was cheering them on all the way.

If you’re a long-time Val McDermid fan, you’ll definitely love Retribution for the way it explores character story arcs. If you’re relatively new to McDermid, Retribution is a good place to jump right into her work; I found it fascinating. Either way, McDermid is definitely a master at crafting an exciting psychological crime mystery/thriller, and Retribution is a gripping read.