Tag Archives: Historical

Water for Elephants, Sara Gruen #50BookPledge

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I read Sara Gruen’s Water for Elephants mostly because the trailer for the movie looked very interesting, and I wanted to read the book before watching the movie. I wasn’t sure what to expect, having once tried Gruen’s other book Ape House, and finding so bored by it that I gave up halfway through. Elephants, however, was an utter delight to read, and I found myself zipping through it.

When he receives news of his parents’ death and having left him penniless, veterinary student Jacob Jankowski runs away and joins the circus. He falls in love with Marlena, who is the star of the horse act and wife of August, a cruel and abusive animal trainer. The story takes place in during the Great Depression, where circuses must struggle extra hard to survive. The circus Jacob joins has nowhere near the grandeur of the Ringling Brothers, yet has its own cast of characters. It has a clear class system, and when things get especially rough, only performers get paid and workers know better than to complain. As both the circus vet and friend of the performer-class Marlena, Jacob straddles the uneasy line dividing the classes, eating at the performers’ side of the cafeteria, but being classified as a worker on payday. Circus owner Uncle Al is a greedy swindler who has no compunction about “red lighting” (throwing off a moving train) workers to save costs.

The appeal of any circus story is the cast of characters, and Gruen certainly peppers this book with a colourful bunch. Jacob is the compassionate foil to August. While he starts off angry at his father (also a vet) for having healed animals in exchange, literally, for beans, Jacob soon comes to understand his father’s love for animals, and comes to care for the circus’ menagerie. As a love interest, Marlena is charming, and her love for her horses shows how perfect a match she is for Jacob. A dwarf, a drunk old man, and various other circus “freaks” provide a strong supporting cast — odd enough to keep us ever aware of the circus’ magic, yet human enough to keep it all believable.

The star, which anyone who has seen the movie trailer would know, is Rosie, the ten foot tall elephant who is introduced to August as being too dumb to train. It turns out she is actually quite intelligent, and her antics both add colour to the story (e.g. stealing lemonade) and make you cheer her on (her clear devotion to Marlena and hatred for August). The parts where Jacob gets to see a performance and is caught up in the magic are vividly described, and I at least wished I was there. Little details like “having a straw house,” which is when all the seats are sold out, so the circus puts straw on the ground so more people can still come in, are wonderful reminders of the level of excitement a circus performance can inspire.

Elephants moves from Jacob’s time in the circus to Jacob at ninety (or ninety-three, it’s hard for him to remember these days) at a senior’s home. A circus is setting up just outside the home, and he eagerly awaits his family to take him to the circus. This Jacob is just as lovable as his younger self. Nonagenarian Jacob is cantankerous, and almost offended by a fellow resident who claims to have carried water for elephants in a circus, which Jacob insists is impossible. He clearly misses the excitement and the magic of the circus, and by the end of this book, you will too.

Blog Tour: Stones for My Father, Trilby Kent #SFMF #50BookPledge

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“There once was a little dikkop that had spotted wings and knobbly knees, and a tiny voice that squeaks.” So begins a story Corlie Roux tells her brother Gert and “one or two other children” at an internment camp in Kroonstad. The British have invadedSouth Africaand are driving Boer families like Corlie’s out of their farms and into internment camps (women and children) or war prisons (men). It wasn’t as if this had come out of nowhere – Boer families have lived in fear of British invasion for a while, and many Boer men, including Corlie’s father, have already died defending their land.

Corlie is a brave girl. When faced with British soldiers, she wishes she could fight with the men instead of having to hide with the women and children. She says she wants to be a pirate when she grows up. And she tells stories, indulging her imagination and delighting Gert, even as her mother warns her that a girl should focus more on household chores and less on “spinning lies.” Her Ma admonishes her to be more practical, but it is Corlie’s stories that help her and Gert deal with such a horrific situation as war. Corlie tells the story of the dikkop because “my brother and I had seen all we needed to see of human suffering, and it was the wild beasts of the veld that helped us escape into our memories.” And so she spins tales.

See, the little dikkop is thirsty, but the lake is guarded by much larger and stronger animals like hippos and rhinos. The dikkop has wings, but is too afraid to fly. Then a klipspringer comes along and offers to help the dikkop get a drink. Can the dikkop trust the klipspringer? More importantly, should the dikkop take the klipspringer’s advice and work with the hippos and rhinos rather than fear them? Like the dikkop, Corlie meets a Canadian soldier who appears sympathetic. And like the dikkop, Corlie must decide if perhaps the British aren’t so different from her after all, and if the Anglo-Boer war isn’t a simple, black and white battle of good vs evil.

In Stones for My Father, Trilby Kent tells the story of a brave young girl forced to grow up far too early. This is a good book for children ages 9 and up who are interested in historical fiction. It’s a touching look at the Anglo-Boer War from the perspective of a child, and Kent even includes a short epilogue about the war, which provides helpful background information to readers who, like me, are unfamiliar with that point in history. Stones for My Father uses the gritty realism of such details as maggots in the flour to express the need to escape into fantasy once in a while, and more importantly, the need to try as hard as you can to hold on to childhood as along as possible.