Review | In the Unlikely Event, Judy Blume

There are writers whose books you love, and then there are writes whose books have actually helped define your childhood. Judy Blume is such a writer. I remember reading Are You There God? It’s Me, Margaret when I was a child, and feeling that the author just got me. Somehow, Judy Blume placed her finger right on the pulse of pre-teen female anxieties, and while Margaret’s experiences may have differed from my own, in a way, I was Margaret. (“I must, I must, I must increase my bust.” Dear god, did we ever believe such an exercise would work?)

23899174I also enjoyed Blume’s adult novel Summer Sistersbut it’s where her characters are young adults, just beginning to figure out who they are, that I think Blume’s writing really shines. I feel the same way about her most recent adult novel In the Unlikely Event, which was inspired by a true incident in her childhood, when a succession of planes crashed near her New Jersey hometown and caused a ruckus in the community. Commercial air travel was still relatively new then, and much like the 1990s movie The Net warned of the potential dangers of the Internet, the real-life incident in the 1950s must have caused much anxiety over the safety of airline travel and the possibility that the crashes may not have been accidental.

In the Unlikely Event focuses on the story of Miri Anderson, who was fifteen when the airplane crashes occurred, and who was flying back home thirty-five years later to commemorate the anniversary of the incident. We learn about various stages in Miri’s life, all the way until adulthood, as well as receive glimpses of the lives of the passengers in the planes that crashed. Blume also incorporates newspaper articles, written in the somewhat novelistic, emotionally fraught style of the day, which help provide a wider picture of what’s going on. (Fun fact: In Blume’s Toronto talk about this book, she said that because she was so busy and the deadline for the manuscript was coming up so quickly, her husband stepped in to write the newspaper articles for her.)

As with Summer Sisters, I felt it was really the scenes of Miri’s childhood that shone. Her wonder at silk stockings, her desire to be a journalist, and later, her increasingly outlandish conspiracy theories about the real reason behind the crashes all took me back to childhood. Whereas an adult would likely think of practical solutions to planes crashing, or otherwise engage in knowing rhetoric about the perceived, widely accepted, “true” cause for the accidents, children are freer with their imaginations, and freer as well to admit that no one is telling them anything and that the situation is all the scarier for it. While the plane crashes formed the impetus for the plot, I especially loved the idyllic scenes of Miri and her mother in the small town. I love the saving up of pennies for silk lingerie, which is impractical but oh so pretty. I love reading about the gossip amongst the townspeople, and the way everyone pretends to know everyone else’s business. I don’t necessarily know that I would want to live like that, but I certainly love reading about it, and Blume’s narrative voice just lends itself so perfectly to nostalgia.

The intermittent vignettes about the airplane passengers were interesting as well. On a whole, I thought they distracted from the main story. But on quite a few instances, I actually found myself more compelled to read on about the vignette rather than return o the main story. I’d get all caught up in some passenger’s life, feel disappointed that they died in the crash and that I’d never get to hear more about how their lives could have turned out. And then I’d realize just how utterly, horribly tragic accidents could be. How much of a life, of a potentially beautiful and exciting rest of one’s life, can be cut off in an instant, and how utterly, horribly unfair it is to not even know the reason this death occurred. With these vignettes, Blume brought home the tragedy of these accidents, and suddenly, Miri’s theories make much more sense, not so much because they become more logical, but because in a small way, we too have developed a need to make sense of what has happened.

Judy Blume in Toronto, June 2015

In case you’ve never heard Judy Blume speak, she is simply marvellous. The Toronto Public Library hosted an event with her last summer. It was a sold-out event, with so much overflow that I believe the overflow room was just as crowded as the main one, and even though I had a ticket, I ended up perching on a bar stool somewhat behind a column at the very back of the room. It was so worth it though and made my inner thirteen year old squee.

Here is the Library’s video of the event:

+

Thank you to Random House Canada for a copy of this book in exchange for an honest review.

Review | Gender Failure, Rae Spoon and Ivan E. Coyote

18406194Gender Failure is a beautiful, candid, moving account of Rae Spoon and Ivan E. Coyote’s “failure” to fit into the traditional gender binary. Its roots as a stage production are evident — the tone is conversational, even intimate, and you can almost imagine the authors telling you these stories in person. Photos from the show are interspersed throughout, and I wish I’d seen the production live, as it must have been an even more powerful experience than reading it on the page.

The casual tone of the narration belies the depths of emotion that Spoon and Coyote express. Spoon recounts the experience of a man approaching them after a show and laughing because he’d originally thought Spoon was “a dude,” until they started singing and he then “knew you were a chick.” The man appeared to expect Spoon to share in this hilarity, even grabbing them by the arm in a show of comradeship. Spoon’s response struck me: they walked away, and only then corrected the man that he’d been mistaken both times. The need to walk away before correcting the misconception speaks to Spoon’s awareness of their vulnerability. Not only do they experience “a feeling that I have failed to be seen” every time they are misgendered, they are also all too aware of the dangers in revealing themselves as trans.

Both Spoon and Coyote share their fear of public washrooms. Coyote writes about developing the skill to hold their pee for hours, in the hopes that they may not need to use the wheelchair-accessible gender-neutral stall and potentially inconvenience someone with mobility issues. “[Women] are afraid of men in a women’s washroom, because of what may happen,” Spoon says. “I am afraid of women in a women’s washroom because of what happens to be all the time.” Experiences include being assaulted with a handbag and being dragged out from a stall by security guards, not to mention the less physical but no less violent experience of being glared at in disgust. Spoon’s frustration is evident when they say that they can’t even react in anger, “because if I get angry, then I am seen as even more of a threat. Then it’s all my fault, isn’t it? Because then there is a man in the ladies’ room, and for some reason, he’s angry.”

Coyote writes about their difficulty in trying to get medical approval to have their top surgery funded. Ironically, their difficulty lay in finding a psychologist who could provide an unbiased assessment on whether Coyote was “trans enough” for the procedure, because most of the psychologists had studied Coyote’s work when training to make such assessments. They also speak about the intrusive questions people feel entitled to ask. In one interview, for example, the reporter tried to be coy around the question of sex assignment surgery, and when Coyote told her to just come right out and ask the question, they realized that the reporter didn’t even know what sex Coyote had been assigned at birth. “She couldn’t even be sure what I might want removed or added on to me,” Coyote says. “But still. She had to know. She just had to ask.”

The section about the Trans Day of Remembrance is especially moving. The event honours those who have died by reading their names aloud, but as Coyote notes,

What will be missing are these women’s stories… What will also be missing is a discussion about the difference between excluding someone and actively including them, and intentionally making space. And the day after we are suppose to remember, most of this will be forgotten.

In particular, Coyote remembers their friend Rosie, a trans woman who left town and is presumed dead, and whom Coyote memorializes in this book. “I refuse to reduce her life to nothing more than a name on a list of the deceased,” they say. “I will remember so much more about Rosie than just her absence from my life.”

Gender Failure is such a powerful, beautiful book. Spoon and Coyote have moved me, and I can only imagine the impact their stories can have on transgendered readers, particularly those who are young and still trying to figure things out. I cannot recommend this book enough, and I’ll just end this here, with Coyote’s words:

I realize that the English language is sadly devoid of names for people like me. I try to cut the world some slack for this every day. All day. And the day after that, too. But the truth is that every time I am misgendered, a tiny little sliver of me disappears, A tiny little sliver of me is reminded that I do not fit … I remember that the truth of me is invisible, and a tiny little sliver of me disappears. Just a sliver, razored from the surface of my very thick skin most days, but other times right from my soul, sometimes felt so deep and other days simply shrugged off, but still. All those slivers add up to something much harder to pretend around.

+

Thank you to Arsenal Pulp Press for a copy of this book in exchange for an honest review.

Review | The Blue Hour, Douglas Kennedy

23492800Accountant Robin Danvers travels to Morocco with her artist husband Paul for a much-needed long vacation. There has been some tension in their relationship, with their various unsuccessful attempts to conceive and Paul’s recklessness with money, and Robin hopes that a trip to Morocco will help smooth out their relationship. Unfortunately, things don’t go quite as planned. Robin catches Paul out in a horrible lie, and when he disappears, she becomes the prime suspect in the police inquiry.

The Blue Hour started off slow, and only really picked up steam for me in the final third or so. I sympathized with Robin’s marital troubles and her unmet desire for a child, but when Paul disappears, I didn’t quite understand why she was so concerned over his welfare that she’d go so far out of her way to track him down. She’s found him out in a pretty major lie, and her investigation keeps uncovering almost an entire secret life, with a whole new set of dangers that threaten to drag her down as well.

Paul’s disappearance seems to be of his own volition, and he seems to have no interest in reconnecting with her — at one point, she sees him in the street, only to have him disappear in the crowd. Then she finds out he may be connected with a particularly shady man, the type who can be either a good friend or a dangerous foe, yet instead of cutting her marital losses and leaving for the safety of home, Robin persists in digging deeper into her husband’s past and in continuing to try to track him down. I understand that this search forms the entire impetus for the story, but for a large chunk of the book, I wondered why she was willing to risk so much just to find him.

Then a rather random, horrible incident occurs, and it completely shifts the rest of the story. On one hand, I’m somewhat bothered by this twist, as it seemed so unnecessary. On the other hand, the story did pick up afterwards — suddenly the threat Robin faces actually feels real, and I felt much more invested in her race for survival than in her earlier race to find her husband.

Kennedy does a good job in describing places.  You can almost feel the heat and the crush of bodies as Robin moves around Morocco, and you can almost see the vast, parched, shimmering expanse of the Sahara desert.

It took me a while to get into The Blue Hour, the whole love story angle really still doesn’t ring true for me, and I still wish the momentum of the final third could have been sustained throughout. But I thought the descriptions were really strong, and I like how the book ended.

+

Thanks to Simon and Schuster Canada for an advance reading copy of this book in exchange for an honest review.