Author Encounter | Karma Brown, Tish Cohen and Uzma Jalaluddin

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When I saw the descriptions for the books at Harper Collins Canada’s June 21st Summer Reading event, I knew I had to be there. It was a wonderful opportunity to check out Harper Collins Canada’s beautiful new office (which has huge windows and an incredible view of downtown Toronto), and learn about some of the hottest books this summer.

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Karma Brown, Tish Cohen and Uzma Jalaluddin were all very warm and friendly. They spoke about their books, their writing process, and the importance of having friends who are also writers to support you in your work.

Writing Advice

The authors had a lot of great advice for aspiring writers. Some highlights below:

 

1. Write at your own pace.

Uzma said Ayesha at Last took 8 years to write. She’s a teacher and a mother as well as a writer, and there were times when she’d put the work down intending to get back to it soon, then not get back to it until a year later.

2. Don’t be afraid to start over.

Karma said she had written about 20,000 words of her manuscript when she realized it wasn’t working. So she took two shots of bourbon and decided to start from scratch. (Mini-tip: bourbon helps!) Luckily, that was about the time she heard about a case of someone with false memory syndrome, and she realized she had the hook she needed for her novel.

3. Develop your voice.

Language is a huge part of being a writer, and Tish said that developing your distinct voice as a writer is essential. “It’s what sets you apart from other writers,” she said, and it’s true. It’s hard to come up with a story that hasn’t been told before, but if you can tell it in a way that’s uniquely your own, the story can still feel fresh.

4. The first draft will never be perfect.

The writers agreed that before they started writing, they thought what you read on the page is how the author conceived of the story from the beginning. But the reality is, the final product has already gone through countless revisions, and often bears very little resemblance to the very first draft. Karma and Tish talked about the importance of listening to your editor, as they’ll often have almost as deep an understanding of your book as you do.

Uzma, as a debut author, talked about how it was like to revise her work even before she found an agent and editor. She said she wrote the very first draft of Ayesha at Last in three months, and was very proud of herself, until she showed it to some friends and learned that “it sucked.”

All three authors also talked about books they’ve written that they know are bad and will never submit for publication. They said every author likely has at least one similar manuscript at home, and it just reinforces how much work is done before a book is ready for publication.

5. Find a writing community.

All three women talked about how important it was to find other writers to support them as they wrote. Your non-writer friends and family can be supportive, but they won’t understand your frustration and insecurities as much as a fellow writer can.

Uzma highly recommends signing up for a writing class and making friends on Twitter.

Karma said she found writer friends by entering writing contests online. She said she writes at 5 am every morning, and that there’s a Twitter hashtag for authors who write at the same time, for them to support each other and cheer each other on. She also adds that if 5 am is too early for you, you can also try writing at midnight.

Tish added that everyone is at different points in their writing journey, and that writers are often very supportive regardless of where you are in your own journey. “We’re not scary,” she said. Karma agreed, adding that they’ve received so much support themselves from other writers that they’re often happy to pay it forward.

 

About the Books

All the books sound fascinating, and immediately made it to the top of my To-Be-Read list!

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1. The Life Lucy Knew by Karma Brown

After a head injury, Lucy wakes up to find she’s developed a condition called ‘false memory’ or ‘honest lying.’ Apparently, it’s a true, but rare condition, where your mind cobbles together real bits of memory to create false ones, and it’s impossible to tell which memories are real and which aren’t. Unlike amnesia (a common literary device where another head injury brings the memories back), this condition is permanent. How do you live with that? How does it impact your loved ones? And how can you find someone you trust to tell you whether something you remember actually did or didn’t happen? In Lucy’s case, she wakes up convinced she’s married to a man (who’s actually an ex-boyfriend), but learns she’s actually not married, and her current boyfriend is someone she knows only as a co-worker.

2. Little Green by Tish Cohen

Olympic athlete Elise Sorensen confronts long-simmering marital tensions when she and her husband Matt go to Lake Placid to sell off Matt’s family’s cabin. Matt is a lawyer who has made huge sacrifices in his career to be the primary caregiver for their daughter Gracie.

3. Ayesha at Last by Uzma Jalaluddin

A modern day Pride and Prejudice in a Toronto Muslim community. Enough said.

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Thank you to Harper Collins Canada for a fun event, and copies of the featured books.

Review | 84K, Claire North

3551197584K has an interesting concept, and one that will certainly resonate with a lot of readers. Unfortunately, the execution fell short for me. I gave it a month and several attempts because it was an ARC for review, but then ultimately decided it wasn’t for me at all. I found the shifts in timelines to be confusing, and I found myself quickly irritated by the coyness around the main character’s true identity. His name is Theo, but he wasn’t born Theo. He actually took on his college friend’s identity at some point for some reason I never bothered to find out, but what irritated me was how all this character was so often referred to as ‘the man who wasn’t born Theo.’ We get it; just assign him a name already and be done with it. I DNF’d (did not finish) at page 92 out of 480 — to be fair, this is around the time the action started picking up, but I realized I no longer wanted to read further.

That being said, I also realize other readers may likely enjoy it more than I did. It’s very high concept dystopian / social satire / speculative fiction, and certainly tackles very relevant issues. In the world of 84K, crimes literally come with a price tag. If you’re rich enough to afford the fine ($84,000 for murder), you can literally get away with murder. North drives this point home with chilling precision when an assassin-for-hire calmly calls 911 to confess to a murder, and waits for the police to pick them up because they know their employer will pay the fine. Conversely, if you’re too poor to pay the fine, you could get a heavy sentence for shoplifting.

Theo works at an agency that processes the fines for crimes. I thought this was compelling — I can see how soul draining such a job can be, and there was a strong passage where Theo had to process the payment for a murder while at the same time process the sentencing of a woman convicted of shoplifting something petty from a store. North often depicts Theo’s workday in terms of costs, listing the amounts for the various types of crimes, and while this felt tedious to me at times (possibly part of North’s point?), it’s also a chilling reminder of how dispassionately crimes are viewed in this world.

The story picks up when a woman is murdered and leaves behind a daughter she claims is Theo’s. The daughter is lost somewhere in the foster care system — similar to North’s rather pointed take on the justice system, the foster care system in 84K is similarly hellish. Foster children can be used by parents to make profit, mostly by selling off their services for entertainment purposes. This is what happens to this daughter, and part of why the mother, before she was killed, was so invested in trying to find and rescue her.

Conceptually, it’s very compelling, and I think readers who enjoy more cerebral speculative fiction may enjoy it. It just really wasn’t for me.

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Thank you to Hachette Book Group Canada for an advance reading copy of this book in exchange for an honest review.

Review | Tin Man, Sarah Winman

TinManTin Man is, quite simply, a beautiful book. The story, about a friendship between two boys that blossomed into a form of unfulfilled love as they grew older, has a lovely, languid feel. It reminds me of Call Me By Your Name and other Merchant Ivory type films — where deep emotions are subtext barely glimpsed beneath a serene veneer.

Winman’s writing is quiet and deceptively restrained. There are moments throughout with the tone of a whisper and the emotional charge of a shout: Dora’s painting that kicks off the entire story, Ellis being forced to punch his father’s hands and join the car company, Michael dealing with his partner having AIDS, and so on.

I absolutely love the imagery of van Gogh’s sunflowers, and the copy that Dora won at an auction. In my absolute favourite passage, Ellis contemplates the contrast between the painting and its creator:

The original was painted by one of the loneliest men on earth. But painted in a frenzy of optimism and gratitude and hope. A celebration of the transcendent power of the color yellow. [p. 89]

The physical book as well is a thing of beauty, and a definite collector’s item. The sunflowers on the cover are streaked with goldleaf that makes the cover glimmer in the light. Strokes of gold literally gleam on the page, and create a feeling of transcendence.

The beginning (Dora’s painting) and the end (Michael’s section) were the strongest parts of the book for me. The middle confused me a bit, with the shifts in timelines and the fairly large cast of characters.

But overall, this is a beautiful, and beautifully written, book. It’s a great gift for a book lover, and a lovely story to lose yourself in on holiday.

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Thank you to Penguin Random House Canada for a copy of this book in exchange for an honest review.