I absolutely loved Iain Reid’s memoir The Truth About Luck, about a road trip with his grandmother, and I was really excited to read his debut novel I’m Thinking of Ending Things. Reid is a wonderfully talented writer, and the way he subtly builds up the suspense and dread throughout this book is masterful.

A young woman goes on a road trip with her boyfriend Jake– their first trip together. They’re on their way to meet his parents, and she is thinking of ending the relationship. Talk about awkward. The tension increases with the revelation that the woman has been receiving calls from an anonymous man, sometimes as many as twelve calls in one night, and as if that wasn’t creepy enough, the calls all appear to be coming from her number. The caller appears interested only in leaving her messages; whenever she picks up the phone, the man hangs up.

“There’s only one question to resolve,” the caller says in her voicemail. “I’m scared. I feel a little crazy. I’m not lucid. The assumptions are right. I can feel my fear growing. Now is the time for the answer. Just one question. One question to answer.”

What that one question is, the caller never says, and that mystery just about drove me mad while I was reading. Often, I wanted to scream at the mysterious caller myself, just ask the f*cking question already! The caller also leaves a second voicemail, one that reveals he knows her inside and out, and ends with the chilling proof: “You shouldn’t bite your nails.”

Interspersed with this woman’s story are chapters of dialogue between unnamed characters, discussing an unnamed “horrible,” “scary” and “disturbing” act committed by a man who was “standoffish” and “kept to himself.” Sadly, many current events can help us imagine what this “horrible” act of violence could have been, and as we read on, the mystery deepens as to how Jake and his girlfriend are about to become involved in whatever had happened.

After the initial creep factor of the mysterious caller, and the introduction of the two main sources of tension (the mysterious “horrible” incident and the girlfriend’s intention to leave Jake who doesn’t seem like the type to handle it well), the story slows down a lot. I was bored for a bit because nothing seemed to be happening, and it’s only later that I appreciated all the little bits and pieces that Reid has so carefully set up.

The story picks up again once Jake and his girlfriend arrive at Jake’s parents’ farmhouse. There’s a vague feeling of rising disquiet, of encroaching dread, in those scenes, and Reid’s mastery lies in the fact that I could never quite put my finger on why. I just know that something feels off, that Jake’s parents aren’t acting quite right, and that something bad is going to happen, though I had no idea what. The story gets progressively better (read: odder) from there, and with the big reveal, all the puzzle pieces fall into place.

I closed the book and sat for a while, unable to move, just absorbing what I’d just read. It was a slow burn throughout and ended with a wallop, and I just felt like applauding the author for what he’d accomplished.

I’m Thinking of Ending Things isn’t my favourite Iain Reid book — nothing, but nothing and no one can compare to his absolutely loveable grandmother and the story of their road trip. As well, while I imagine there’s a pleasure in picking up the clues in the details Reid has so carefully scattered throughout, I’m not sure how well this book will hold up in re-reads, now that I know how it turns out. But still, bravo Mr. Reid. Well done.

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Thank you to Simon and Schuster Canada for an advance reading copy of this book in exchange for an honest review.

I absolutely love, love, love Steven Rowley’s Lily and the Octopus, a heartbreaking novel about a man and his dog. If you have or have ever loved a dog, cat or [insert pet here], Lily and the Octopus is a must-read. Fair warning: it’s not an easy read, and will take you apart emotionally, but it’s so very worth it.

Steven was kind enough to answer a few questions about the book. Check out the Q&A below, and read my experience with the book here.

1. This book feels intensely personal to me, and I know from the author’s note that this was inspired by personal experience. How did it feel to put it all down on paper?

While Lily and the Octopus is very much a novel, there’s no denying that it’s very personal. I did have a dog named Lily who succumbed to cancer in 2013. When I first sat down to write, I started by making a list of memories. Silly memories, happy memories, harrowing memories. Meals we shared. “Conversations” we had. This was about six months or so after she died. Enough time had passed that I could reflect back on our time together with a smile. Before then it had been to painful. Once I knew I could sit with these memories and could include them in my writing, I was off to the races.

The final product is a joy for me to have. Snapshots of our life together sandwiched between two hardcovers. When I first received my copies of the book hot off the printer, I felt like I had finally brought her home.

2. Why do you think it takes Ted so long to call the octopus out for what it really is? What is it about thinking of it as an octopus that helps him deal with the situation?

I’m fascinated by the brain’s ability to create these elaborate constructs to keep us from having to see what is right in front of us. Sometimes it’s a selfish denial, other times it’s self-preservation. There’s some part of Ted that knows he has to face letting go. Not just letting go of a loved one, but of anger, of ways in which he feels he’s been wronged. But he’s not quite ready to do that when we meet him; having an octopus as a foe, something with tentacles and suction cups that can have a stranglehold, steels him for a fight. The ultimate lesson for Ted is when to stop fighting.

3. Have you always been a dog person, and if not, what made you fall in love with dogs or pets in general?

I grew up with dogs and cats – I remember five dogs and two cats from my youth – but it wasn’t until I had Lily, until I raised a dog of my own, that I considered myself a dog person. I think as a young man I had a problem expressing emotion. I think cats also have trouble expressing emotion (or perhaps not, and I just don’t like the emotions they express). But dogs, dogs are pure emotion and I just instinctually knew I had something to learn from them. From that realization on I was enamored.

4. Who are your favourite writers, and is your writing influenced by anyone in particular?

I think Lily and the Octopus is influenced by Joan Didion, certainly Kipling (quotes from The Law of the Jungle serve as the book’s two epigraphs), as well as other writers of fables. Opening the book with a quote from The Jungle Book helps underscore the fable elements of Lily and the Octopus. I also am a huge fan of blurring lines between prose and poetry, building a rhythm and cadence through word choice, sentence length, repetition, and other literary devices that Kipling excels at.

Other writers who have inspired me include John Steinbeck (East of Eden is a particular favorite), Michael Chabon, Donna Tartt, Jonathan Franzen, Richard Russo and Francesca Lia Block, whose book Weetzie Bat (another prose poem) was handed to me at a critical moment in my life.

5. I love Ted and Lily’s conversations about celebrity crushes. If this story were to be made into a movie, who do you think Lily would choose to play Ted, and what will Ted think of that choice?

There are particular actors I imagine in the role of Ted, actors who have an inherent sadness to them and can convey a lot by doing very little. A certain stillness is important. Ewan McGregor and Jake Gyllenhaal are two actors who I think are wildly underappreciated. Paul Rudd, I think, has untapped dramatic range. Jude Law. I think dog’s see their humans a bit starry-eyed, so I think Lily would think the bigger the celebrity wattage the better. She does suggest including Chris Pratt in their conversations right from the opening chapter. So let’s go with him as Lily’s choice.

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Thank you to Simon and Schuster Canada for a copy of this book in exchange for an honest review, and thank you to Steven Rowley for responding to my questions!

This Q&A is part of the Simon and Schuster Canada Perfect Pairing Summer Fiction Blog Tour. Check out , the full schedule below, join the discussion on Twitter with the hashtag #ReadChillRepeat, and check out readchillrepeat.com for a chance to win Lily and the Octopus, the other books featured on the tour, and a year of free coffee from aroma espresso bar!

Join me and Simon and Schuster Canada for a summer read-a-long of M.L. Stedman’s bestselling book The Light Between Oceans! The book was a bestseller when first published in 2012, and the read-a-long coincides with the movie’s upcoming release in September. Starring Michael Fassbender (OMG heart-eye emoticon!), Alicia Vikander (IMHO the standout performance in The Danish Girl) and Rachel Weisz (The Lobster, The Mummy), the trailer looks like a major tearjerker about love and family.

Michael Fassbender plays Tom, a lighthouse keeper whose wife Isabel (Alicia Vikander) is unable to bear a child full-term. When a baby washes up onshore, it appears that fate has made their dreams of a family come true, and against Tom’s better judgement, they decide to raise the child as their own. Fast forward a few years later and they meet a woman (Rachel Weisz) whose husband and baby daughter were lost at sea years ago. “[Her daughter] would have been your girl’s age by now,” the woman’s sister tells Isabel.

What should Tom and Isabel do? “I’m her mother,” Isabel tells Tom, in a scene that just about broke my heart, but how can they refuse to give the biological mother the chance to reunite with her daughter? There is no easy answer, no way to give everyone a happy ending, and however the story turns out, I’m definitely planning to bring Kleenex into the theatre.

Simon and Schuster Canada’s read-a-long is taking place on Goodreads, and began on July 8. Join the discussion!

This week’s read includes the Preface and Chapters 1 – 5. Full Read-A-Long schedule below:

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Thanks to Simon and Schuster Canada for a copy of this book in exchange for participation in the read-a-long.