Review | Someone is Watching, Joy Fielding

22694047Private investigator Bailey Carpenter is attacked while working on a case, and her entire world falls apart. From being a confident, independent woman, she finds herself afraid to ride an elevator with a man and unable to sleep without having nightmares. Worse, she sees her attacker in almost every man she encounters — an obnoxious flirt at the gym, a man walking past her in the street, a narcissistic man in the apartment building across from hers. They all fit the frustratingly generic description of Bailey’s attacker: white male between the ages of 20 to 40 years old, average height, average build, wearing black Nikes.

I often find books involving sexual assault difficult to read — for example, Elizabeth Haynes’ Into the Darkest Corner kept me feeling claustrophobic, almost physically trapped, throughout. Fielding’s writing is a bit more detached that Haynes’, and while she did a good job of portraying Bailey’s fear and sense of paralysis after the attack, Someone is Watching felt more like an action-packed thriller than a psychological one.

Part of the reason may be that despite the attack that began the whole story, there were so many other things going on in Bailey’s life. A major subplot is the Bailey’s dysfunctional family — her father had had many children by different women, and left his vast fortune only to Bailey and her brother Heath. Bailey and Heath’s half siblings, led by high powered district attorney Gene, are suing for their share of the inheritance. This adds a touch of intrigue to the motives of Bailey’s half sister Claire, who stays over at Bailey’s apartment for days after the attack. Is Claire sincere in wanting to help Bailey heal or is Heath right and Claire is only after Bailey’s money? This is further complicated by Heath having issues of his own — a struggling actor who is perennially stoned, Heath also happens to be best friends with Bailey’s ex-boyfriend, who still wants Bailey back and who also happens to fit the description of her attacker. Then there is Bailey’s current boyfriend, a married man with children whose identity is glaringly obvious from the beginning and yet whom Fielding for some reason coyly refuses to name until Claire’s daughter susses it out. Finally, there is the man Bailey, Claire and Jade call Narcissus, the vain neighbour who parades naked in front of his open window and appears to know that Bailey is watching him.

There’s a lot going on, and while it’s easy enough to keep the characters straight, it can also be somewhat frustrating to see so many potential red herrings in the mystery. That’s actually a credit to Fielding’s writing, as it mirrors the frustration Bailey and other attack victims must feel themselves, where fear can take many forms, even among those familiar to you. That being said, there appears to be enough drama without adding so many subplots to the mix.

There’s a great moment near the end where Bailey realizes she may never know who her attacker is, and that she would just have to make her peace with that. I love that, because it shows an unfortunate reality of some victims, and it also takes the story back to Bailey’s psychological state rather than the physical investigation of potential attackers.

The ending as a whole felt overly convoluted. The first big reveal in particular seemed complicated, and while I admit it could have happened, the soap operatic nature of this twist detracted from the very real drama of dealing with an attack. The second reveal then felt anticlimactic, almost unnecessary after the dramatic impact of the first. That being said, I may be biased because I wasn’t happy to learn who the villains were, mostly because I had grown to like these characters earlier on. And that too is a testament to Fielding’s writing.

Someone is Watching is Joy Fielding’s 25th thriller, which is pretty awesome. If you’re a fan of her books, or of thrillers in general, this is definitely one to pick up. An entertaining read overall.

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Thanks to Random House Canada for an advance reading copy of this book in exchange for an honest review.

Author Encounter and Review | The Girl on the Train, Paula Hawkins

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I was fortunate enough to have been invited to brunch with novelist Paula Todd at Le Select Bistro last February. Her debut novel The Girl on the Train has been a runaway hit since the holidays, and it’s easy to see why. It’s tight, taut and thrilling, with an unreliable narrator all too aware of her unreliability, and a plot so twisty that Miss Marple herself would have a field day trying to parse it all out.

The Brunch

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Author Paula Hawkins speaking at the brunch

It was my first time at Le Select Bistro and I found the brunch an absolute treat. The main course offered a selection of eggs, steak, salmon, or French toast stuffed with apples and cranberries (my pick, and it’s about as decadent as it sounds), which were served with a selection of freshly baked croissants, fresh fruits, mimosas and a really rich chocolate cake for dessert. Someone else at my table commented that the berries were fresh, not canned, which is a pleasant surprise in the dead of winter. All that to say: if you haven’t had a chance to eat at Le Select Bistro yet, definitely give it a shot.

The brunch highlight of course was author Paula Hawkins herself, who was in Toronto for only a day or two before having to fly out for the rest of her book tour. As I mentioned, her book is a major hit. It has been compared to Gillian Flynn’s Gone Girl, a comparison I think is a disservice to Girl on the Train, which I actually find a much more potent, captivating read. I spoke to the author only briefly, but found her to be sweet and unassuming, far from the woman I imagined could come up with such a dark and twisty tale. She spoke a bit about how readers have responded to her book, and credits the book’s success to the voyeur in all of us. Whether we admit it or not, there’s something about other people’s secrets that fascinate us, and the book’s protagonist finds herself deeply enmeshed in one.

The Book

22557272Have you ever read 4:50 to PaddingtonIt’s one of my all-time favourite Agatha Christie mysteries. An elderly woman witnesses a murder from a moving train, but when the police come, there is no evidence of a crime at all. Miss Marple happens to be a friend of the woman, so she steps in to investigate.

The Girl on the Train has a similar plot, except without a Miss Marple to come to the witness’ rescue. The protagonist, Rachel, commutes to the city every day. Her train takes her past a house with a seemingly happy couple she nicknames “Jess and Jason,” and she watches their lives through the window as the train whizzes by. Until one day, she sees Jess kissing another man, and when she finds out that Jess has gone MIA, she goes to the police with her fears about Jess’s safety. The problem is, Rachel’s also an alcoholic, who has a complete blank in her memory for the evening that Jess (real name: Megan) disappeared. Worse, Megan lives only a few doors away from Rachel’s old house, where her ex-husband and his new wife now live, and Rachel has had a history of showing up uninvited at their doorstep — again, incidents that because of her alcoholic blackouts, she can barely remember herself.

Hawkins’s writing reminds me of Elizabeth Haynes, one of my favourite contemporary thriller writers whose Into the Darkest Corner is still, bar none, one of the most powerful thrillers I’ve ever read. Like Haynes, Hawkins keeps us trapped within her protagonist’s mind, and when Rachel herself doesn’t fully understand what she knows, then neither do we. We not only empathize with Rachel’s confusion and terror over what had happened that weekend, we feel it ourselves, and like Rachel, we sometimes wonder if anything even happened at all, or if alcohol had caused Rachel to imagine everything.

I couldn’t put this book down. I was completely caught up in Rachel’s story, as well as in the stories of Megan and Anna (Rachel’s ex-husband’s new wife), both of whom also interject bits of their own story into the narrative. I love how all the plot threads came together, and above all, I love how much I was sucked into their perspectives. This is a potent psychological thriller — you end up caring about the characters, and whether you figure it out before the end or not, you’ll keep turning the page anyway.

The effects of addiction and of a relationship gone sour are presented with stark frankness by Hawkins, and Rachel feels utterly real as a person, which again makes her struggles real. Kudos as well to Hawkins for not prettifying her character. I’ve read books where the female protagonist feels overweight or frumpy, but others really see her as beautiful, but Rachel really is overweight and frumpy, and I love that the author shows how this affects the way others treat her and her credibility. If this is made into a movie, I’d love for Hollywood to take a similar approach and not present the standard beauty with a few extra pounds.

This is an amazing book, and it was actually a surprise to learn that such masterful plotting was in a debut novel. I look forward to seeing more of Paula Hawkins’ books in the future, and in the meantime, highly recommend this one for a weekend treat.

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Thank you to Random House Canada for the invitation to the brunch, and for a copy of this book in exchange for an honest review.

Review | The King of Shanghai (Ava Lee # 7: The Triad Years), Ian Hamilton

SPOILER ALERT: If you haven’t read Two Sisters of Borneo (Ava Lee # 6), this review includes a major spoiler in the first paragraph about that book and the Ava Lee series in general.

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King of Shanghai begins about a month after Uncle’s death in Two Sisters of Borneo. Ava is just coming out of grieving and ready to begin a new life as a partner in the Three Sisters investment business she runs with friends May and Amanda. She still feels the loss of Uncle’s mentorship, but is somewhat looking forward to a quieter life, with a steady income and without the violence that resulted from her previous work.

Unfortunately for Ava, her old life seems determined to catch up to her. Uncle’s friend and mentee Xu, the head of the Triad in Shanghai, is seeking the chairmanship of all Triad Societies, and he wants to recruit Ava as his adviser. The rest of the story unfolds in classic Ava Lee fashion — other Triad bosses don’t get along with Xu, Ava gets sucked into their conflict, various characters get kidnapped/beaten up/shot.

King of Shanghai does focus a bit more on Ava’s strategic thinking rather than her martial arts prowess, which I liked. She ends up having to strategize about the Triad, and that’s a scale beyond what she’s had to deal with in the past, I think. That being said, one of my concerns with this series is that Ava’s always been more than capable so I haven’t really seen much character growth in that regard over the series. Because she has been practically superhuman all along, there was never any doubt that she could come up with a good strategy, nor that she could strong-arm negotiations in her favour. More significantly, there isn’t much difference between the Ava working for Uncle and the Ava left without a mentor. She does mourn Uncle’s death, and there’s a great scene where she dreams about him, but in terms of character development, I didn’t really feel how Uncle’s death changed her in any way.

The appeal of any mystery and thriller series is familiarity — there’s a set structure and there’s a certain set of expectations of how the main character would react in a given situation. So in a way, I can’t fault Ian Hamilton for giving us the Ava Lee story we’ve come to expect. I think however that the story arc about Uncle’s health in previous books raised the emotional stakes in such a way that enhanced the series, and that is missing in this book. Ava’s concern over Uncle’s declining health added heart to the series and depth to Ava’s character, and perhaps it is in contrast to that that the language in this book feels oddly detached. Even moments of emotion, such as Ava’s emailing “I love you” to her girlfriend felt clinical in execution, added to the story just to remind us that Ava has a girlfriend before then going on to the business at hand.

There is also a subplot about PO, a fashion line the Three Sisters consider investing in. To be honest, I enjoyed that subplot more than the Triad part, mostly because I like fashion, but as the Triad story took off, this story was pushed to the sidelines, and it made me wonder why we spent almost half the book building up this storyline.

King of Shanghai is a solid addition to the Ava Lee series. If you enjoyed the earlier books, this has many of the elements that make the other books great, and Ava is as powerful and brilliant as ever.

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Thank you to Anansi for a copy of this book in exchange for an honest review.