
Mr. Rafiel from A Caribbean Mystery is back, this time with a posthumous mission for Miss Marple: “investigate a certain crime” and after a year, she will be entitled to GBP 20,000 from his estate. “Our code word, my dear lady, is Nemesis,” he writes in his letter. It’s a reference to something she tells him in A Caribbean Mystery and Miss Marple understands it to mean that he’d like her to correct a miscarriage of justice.
Nemesis is only the second-to-the-last Miss Marple novel, but to me, it feels more like her grand finale than Sleeping Murder does. Partly because Miss Marple feels older here. Nemesis has a larger cast of characters than Sleeping Murder, and also involves a physically strenuous walking tour, so there are more people here commenting on Miss Marple’s age and frailty. She plays along with it, as she does to help gather clues, but I also can’t help feeling that she is a bit more physically frail here than usual.
But more importantly, the mystery in Nemesis also feels more grandiose and more of a magnum opus, so to speak, than the one in Sleeping Murder. There are more references to other aspects of Miss Marple’s life: Mr. Rafiel, of course, but also references to her nephew Raymond and her old friend Sir Henry Clithering. And the mystery itself is also such a Mystery. Not just whodunnit and why, but also, what evern was done in the first place?
The journey to get to these answers is wonderfully twisty and complex. And the more I read, the more I realized that the reveal is likely to be really sad, with the kind of insights into human relationships that Agatha Christie is so good at.
First, the cast of suspects is huge. Mr. Rafiel sends Miss Marple on a tour that has fifteen other people on it. Presumably, at least one of those people is involved in the crime Mr. Rafiel wants Miss Marple to solve. Also possibly, could this turn into a Murder on the Orient Express situation, and all of them turn out to be involved?
Just as I was turning over that possibility in my mind (and getting cross-eyed staring at the list of suspects), Christie throws in another twist: Mr. Rafiel has also asked some old friends (a trio of sisters) along the tour route to invite Miss Marple to their home. The official reason is that he wants to give Miss Marple a break from one of the more strenuous days on the tour, but of course, we all know that it’s likely one or more of these sisters is actually involved in the crime.
Gradually, we learn that Mr. Rafiel’s son, Michael, was in prison for murdering a young woman. There were other young women who’d also gone missing and were presumed dead around the same time period, so even though Michael was convicted of one murder, it’s possible he was also responsible for others.
Important context is that Michael was known as a bad guy; he’d also previously been accused of raping another woman. I’ll flag here that characters in this novel express some outdated attitudes around sexual assault and false accusations from victims, which is very much a product of Christie’s time and thankfully no longer widely acceptable. But the basic thrust is that, however spotty Michael’s sexual history is, is he actually guilty of murder? And if he didn’t kill the young woman, who did and why?
And then, while Miss Marple is with the sisters, a member of the tour group is struck by a boulder and sent to hospital in critical condition. Who’s responsible, and is it in any way connected to the young woman’s murder?
Did I Solve the Mystery?
Yes! Or at least I mostly did. I thought a second character was involved in the crimes, who turned out to be innocent. But I guessed the killer for the most important crime, and I also picked up on pretty much all the important clues! So I’m going to clock this as practically a win, and laugh at the fact that I actually tried to complicate matters more than Christie herself intended.


