Review | Trust No One, Paul Cleave

23492648Jerry Grey, a crime fiction writer with Alzheimer’s, is convinced that the murders he wrote about are real, and that he is the one who committed them. The plot thickens when he learns of other murders not in his novels, ones he may have committed and forgotten about. Is Jerry a killer? Is he guilty of the murders he remembers doing, those he doesn’t remember at all, and those with victims he doesn’t even recognize? When he can’t even trust his own memory, how can he tell what is and isn’t real?

Paul Cleave’s Trust No One is a fantastic page turner that keeps you guessing and second-guessing yourself throughout. We see the story mostly through Jerry’s eyes, and so end up as uncertain as he is about what actually did happen. There’s an added layer of complexity with Jerry’s writer persona Henry Cutter, who isn’t a pseudonym so much as a frame of mind Jerry puts on when he writes his crime novels. The book includes excerpts from Jerry’s journal, chronicling events since he learned of his diagnosis, and whenever a situation gets too emotional, Jerry copes by turning the pen over to Henry. Is it possible that Jerry doesn’t remember the murders because it is actually Henry committing them? Midway through the book, a friend of Jerry’s named Hans steps in to help Jerry find the truth, and I was so caught up in the confusion around Henry’s potential role in the murders that I wondered if Hans was even real, or if he was simply another personality in Jerry’s psyche. (Jerry’s wife mentions not trusting Hans, but never actually talks to him directly.) We’re so entrenched in Jerry’s head that we experience how confusing his reality is, and it’s difficult not to slip into the paranoia and distrust Jerry feels towards everything and everyone around him. To me, that’s the sign of a great thriller, and kudos to Cleave for creating that effect.

The major hiccup for me was the ending, which confused me with all the big reveals. I’m a bit unclear about the motive and logistics behind some of the murders, and about whether or not one of the murders was a pure red herring or actually had a connection. It felt like there were so many twists and turns that they didn’t all quite fit neatly into the truth. The final chapter felt unsatisfying, though inevitable, and honestly I wish some of the characters (the police, the neighbour, the care facility staff) showed a bit more smarts throughout the novel than they actually did.

Trust No One is a heckuva thriller to dive into and immerse yourself in. Set aside a few hours to delve into Jerry Grey’s world and enjoy the ride.

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Thank you to Simon and Schuster Canada for a (signed!) copy of this book in exchange for an honest review.

Review | Kay’s Lucky Coin Variety, Ann Y. K. Choi

29218113Korean-Canadian teenager Mary is tired of having to manage her family’s convenience store. Part of her wants nothing more than to be modern and Canadian, but another part of her is unable to fully leave behind the expectations of her traditional Korean family. This dilemma plays out in different ways: she uses the name Mary but can’t help that her parents sometimes call her by her Korean birth name Yu-Rhee. She is in love with her English teacher, but her parents want her to set her up with a Korean boy named Joon-Ho. There’s also the unspoken family secret about her mother’s estranged sister, and how that may tie in to Mary’s own struggle.

Kay’s Lucky Coin Variety had its weaknesses — in particular, a scene of sexual assault felt tacked on, a tired coming of age trope that was added unnecessarily and then not fully explored. Mary’s crush on her older English teacher also felt cliche, and its outcome inevitable. That being said, I think these two things bugged me mostly because the rest of the book was so strong that any weakness really stood out.

I love how Choi writes about the immigrant experience. I love the sharp observations about feeling the need to represent an entire culture, simply because you are still a minority within the community. One character says of a fellow Korean: “He makes the rest of us look bad. Like we’re all a bunch of idiots who can’t make it here. Don’t you get it? People like him make them suspicious of all of us.” (page 198) Joon-Ho and his family do some really questionable, sometimes villainous things, but their struggle is also a really smart depiction of the pressure around immigration. I love how Choi portrayed Joon-Ho’s need to be as close to perfect as possible in order to achieve residency in Canada, and the additional stress of having your family’s hopes of immigrating lie on your shoulders.

I also love how Choi highlights the rarity of Asian representation in Canadian literature. When Mary’s mother asks her why she never reads books about Korean or Chinese characters, Mary responds that there aren’t any, or at least none that she’s aware of. This story was set in the 1980s, and thankfully today, there are a lot more options available for CanLit books featuring Asian characters. Still, Mary’s mother’s response resonated with me: “You want to know about feeling invisible? It’s always black and white in Canada. The Koreans, Chinese, Japanese, anyone from Asia are the true invisibles. Do you think anyone really sees us when they throw pennies at us for a newspaper?”

Overall, I really like how Kay’s Lucky Coin Variety portrayed the experiences of Mary, her mother and their family. I especially love how Mary realizes she can be Korean even without ascribing to traditions that don’t quite fit her: “I could claim my name myself. I could have everyone call me Yu-Rhee.” It’s a fantastic owning of identity, and realizing that one has the power to claim both sides of a dual identity for themselves, even with something as simple as a name.

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Thanks to Simon and Schuster Canada for an advance reading copy of this book in exchange for an honest review.