Review | The Farm, Joanne Ramos

41398025I read The Farm expecting a Handmaid’s Tale-type dystopia. I expected a world where women are reduced to baby-making machines and must rise up against an oppressive patriarchy to regain their freedom. I was interested in the book because of the Filipina immigrant main character (Jane, a young single mother who lives in a boarding house with her baby and her cousin Ate Evelyn), but otherwise, I thought this would be yet another dystopia in a long line of the genre. Fortunately, I was proven wrong.

The Farm absolutely blew me away. It’s not so much a dystopia as it is a character study, of how the same set of circumstances can have such a wide variety of impact on the people involved. The novel delves into questions of race, income disparity, family connections, and what it means to be an immigrant far from loved ones back home. I fell in love with the characters, was fully riveted by their stories, and found it hard to put this book down. The Farm is easily one of my favourite novels of the year.

The novel revolves around Golden Oaks, a resort for women who are hired to be surrogates for wealthy families. Some of the women like to believe they’re participating in a higher calling — providing the gift of parenthood for families who cannot otherwise have children — but most of the women are simply in more desperate life circumstances and require the money. As an unemployed single mother, Jane realizes that this job could help her gain the financial stability she so desperately wants for her daughter, and jumps at the chance when Ate Evelyn suggests it. Once she’s at Golden Oaks however, Jane realizes that being away from her daughter is much harder than she imagined, even with her daughter in Ate Evelyn’s more than capable care. And she also gets caught up in events that may make keeping her job more complicated than she anticipated. Her emotions are raw and intense, and very relatable to readers who may need to make personal sacrifices to provide for loved ones.

What makes this novel so powerful however is that Ramos doesn’t just limit us to Jane’s experience. Rather, we also see the perspective of Reagan, an idealistic college graduate who wants to become independent from her wealthy family. Because Reagan is white and highly educated, she is considered a ‘premium’ host, meaning that wealthy families are willing to pay more to have her bear their child. Beyond that, she is also treated as a VIP among the hosts, and Golden Oaks director Mae Yu goes to great lengths to keep Reagan happy and feeling like she’s contributing to a greater cause. I love that Ramos delves right into the racism at Golden Oaks, and outright tells us that clients prefer white hosts, but due to financial need, there are many more Black and Latinx hosts available. Reagan, along with other ‘premium’ host Lisa, are able to get away with much more in terms of rebellious behaviour than hosts who are women of colour can. I also find it telling that Jane’s relative lack of power at Golden Oaks isn’t so much a factor of race (Asian hosts are relatively high on clients’ wish lists), as it is her limited financial and social supports. So I love how Ramos explores the intersectionality of her characters’ identities.

The novel also gives us the perspective of Mae Yu, the Chinese American director of the resort, and I love that Ramos doesn’t fall into the easy way of making Mae purely a villain. She does go to great lengths to keep her hosts in line, and amongst the characters, she’s the most overt about seeing the hosts as assets more than as women (even the clients at least pretend to care about the hosts’ humanity). But we also see how hard Mae has to fight to earn her place at the mostly white and male networks of power. Her ambitions constantly come up against structural inequalities, and throughout the novel, we feel how tenuous her grasp on power is. There’s a trace of desperation and fear in even her most ruthless plans, and while she never quite becomes a ‘good guy,’ she remains a sympathetic character.

Finally, Ramos also gives us Ate Evelyn’s point of view. Of the four narrators, Ate Evelyn is perhaps the one most straddling the line between hero and villain. We see her love for her family, and we also see her willingness to cross ethical boundaries for some extra cash. We learn her backstory, about the family she left behind in the Philippines and still needs to support, and ultimately, the impression she leaves is that of a complex, flawed, and wholly sympathetic human being.

The best dystopias do highlight the human element, and in that, perhaps The Farm is a dystopia after all. But while it tackles some urgent and relevant subjects, the overall tone doesn’t have the urgent call to action that many contemporary dystopias do. Rather, The Farm invites readers to linger, to delve deep and fully experience every moment we have with these characters. The women in this novel are all wonderfully flawed and human, and also somewhat heroic in their own ways. It’s a heart-wrenching, thought-provoking, powerful novel. I highly recommend it.

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Thank you to Penguin Random House Canada for a copy of this book in exchange for an honest review.

 

Review | Mrs Everything, Jennifer Weiner

42731455._SY475_Probably the most ‘literary’ of Jennifer Weiner’s novels, Mrs Everything is a moving multi-generational family epic with a strong feminist perspective. The story follows the lives of two sisters — Jo the serious tomboy activist and Bethie the kindhearted and pretty free spirit — over the course of about five decades. The storytelling reminds me a bit of Kate Atkinson’s A God in Ruins or John Boyne’s The Heart’s Invisible FuriesSimilar to both those novels, Mrs Everything manages to feel intimate and deeply personal while still broad in scope at the same time. We grow up with Jo and Bethie. We see the major events and cultural shifts in 20th and 21st century America through their eyes. And we feel right alongside them as women, struggling to balance everything life and the world expect from us.

I love the relationship between the sisters. Despite their differences, they’re fiercely loyal to each other, and even though they drift apart at various points in their lives, they still always have each other’s backs. I especially love how protective Jo is of her younger sister, and I really enjoyed the scene where Jo helps Bethie confront their abusive uncle.

The chapters alternative between both sisters’ perspectives, but the story seems to focus much more on Jo, and particularly how she grapples with her sexuality and societal attitudes towards lesbians at various points in her life. Jo is a wonderfully fleshed out and complex character. Seeing her story play out, with all of her fears and vulnerabilities and attempts at happiness, was very moving, and I loved how her story played out.

Despite the narrative focus on Jo, it was really Bethie’s story that hooked me, and Bethie whom I related to the most. I felt for her vulnerability and innocence, and her sometimes desperate attempts to gain control over mostly uncontrollable life circumstances. I absolutely hated Bethie’s uncle, for taking advantage of her family’s financial situation to sexually assault his niece, and I wish he’d had more of his just desserts than he received. Even though Bethie did grow up, move on and develop a fully robust life after the rape, I love how realistically Weiner depicted the lifelong consequences of such childhood trauma. Bethie developed eating disorders as a teen, and even when she started eating healthy amounts again, her self-image had been forever scarred, and her trauma remained an insidious presence in her mind. I found this to feel uncomfortably realistic, and I felt very strongly for Bethie throughout her life story.

The story does get a bit heavy after a while. Lots of bad things happen to Jo and Bethie, and while things never get quite as bad as in Hayna Yanagihara’s A Little Life, things do feel a bit bleak at times.

Overall, Mrs Everything is a good book, especially for readers who want to lose themselves in the complex ups and downs that occur throughout a lifetime. I personally prefer Weiner’s smaller scale stories (In Her Shoes remains my all-time fave), but I generally prefer more lighthearted books these days. This is a good story, and I enjoyed seeing Jo and Bethie as they grew up.

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Thanks to Simon and Schuster Canada for an e-galley of this book in exchange for an honest review.

Review | The Third Mrs Durst, Ann Aguirre

41091207This was such a fun and satisfying read. Marlena Durst’s husband Michael is an all-too-familiar figure — the ultra wealthy man looking for a trophy wife whom he can mould into exactly the specifications he wants. He selects Marlena because she’s poor and vulnerable, and therefore possibly just desperate enough to fulfil his every whim. His rules are extreme yet unfortunately believable — they include crafting an entirely fictional childhood in Croatia, agreeing to stay indoors under guard until he invites her to go out, dressing in the fancy outfits he buys her, and behaving in such a way that leaves no doubt she is absolutely, positively not flirting with another man.

Yet from the beginning, we know that Marlena isn’t a helpless innocent who’d been sucked into Michael’s world. Having fought and scrapped her way from extreme poverty, she planned to put herself on Michael’s radar and use his wealth to build herself a better life. So while this book does set off my trigger warning alarm bells vis-a-vis domestic abuse, from the beginning, it’s also set up to be an immensely satisfying cat and mouse game, where I was cheering like hell for Marlena to succeed.

The only snag is that once Marlena does become Michael’s wife, Aguirre gives us little hint of her big plan to escape. Marlena tells us often that she’s playing the long game, but we barely see what that long game could be. We learn that Marlena needs her bodyguard to fall in love with her, but we don’t quite know why, and a bodyguard’s support is a somewhat flimsy base for the plans of someone as intelligent and cunning as Marlena. Later on, we learn that she’s tried to look through Michael’s office files, but we don’t actually see her doing so (or if we did, it wasn’t significant enough for me to remember), nor do we know exactly what she’s planning (vs merely hoping) to find.

This lack of transparency does pay off in the (immensely satisfying) ending, but I admit it was a bit of a letdown, especially after we’ve seen how masterful a schemer Marlena was before her marriage. As it was, when things get really bad — to the point that the book honestly became difficult to read — I ended up hitting a point where I doubted she ever really had a plan at all and feared that this was going to be a tragic story of abuse. Marlena deserved better, and I wish we’d seen more of her cat-and-mouse strategy along the way.

Still, overall, this is an exciting and satisfying read. I loved Marlena and her backstory, and with Michael, Aguirre has given us a villain we could truly, fully detest.

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Thank you to Thomas Allen Ltd for an advance copy of this book in exchange for an honest review.