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Reader, writer, bookaholic for life!

I Try to Solve an Agatha Christie Mystery | A Haunting in Venice (Hercule Poirot movie)

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Yes, I know the actual book title is Hallowe’en Party. And the truth is, I had planned to try to solve the book before seeing Kenneth Brannagh’s movie adaptation, A Haunting in Venice. Unfortunately, I hit a reading slump, and realized that if I waited till I finished reading it, I risk the movie no longer being in theatres by the time I was ready to watch it.

And I really wanted to watch this movie in theatres. I realize opinions on Brannagh’s Poirot are really mixed, with many Christie purists unhappy with all the liberties he’d taken with the character. Personally, I enjoy his versions, just like I enjoy David Suchet’s (the definitive adaptation, IMHO), and just like I enjoy the books. (I haven’t yet watched the Albert Finney films, but I hear they’re also good.) Plus, A Haunting in Venice also stars Michelle Yeoh, who is one of my favourite actresses of all time. So I wanted to support this film, and while I missed my chance to contribute to opening weekend numbers, I figure I may as well do my part for the theatrical run.

My verdict? It was fun! I yelped at the jump scares, I ate lots of buttery popcorn, and I shuddered every time that creepy kid Leopold appeared on screen. Michelle Yeoh plays a psychic medium, who is hired by opera singer Rowena Drake (Kelly Reilly) to summon the spirit of her daughter Alicia, who’d died in that house a year ago. Yeoh’s character’s name is Joyce Reynolds, and even if you’ve read only the first few chapters of Hallowe’en Party like I have, you already know a key change to the story, and also the important role Yeoh plays in the story. Rounding out the cast are Tina Fey as Ariadne Oliver (very much in the style of Cinda Canning from Only Murders in the Building), Jamie Dornan as Leopold’s dad and the doctor treating Alicia before she died, Alicia’s ex-fiance Maxim, the housekeeper Olga, and Joyce’s assistant.

I came into the theatre not really planning to try to solve it. I figured I’ll just enjoy the film, and wait till my next Poirot book to try solving it again. Yet as the story unfolded, i realized there was really only one character who I could see as being the murderer. I knew what motive they would have, and I could tell when they’d have the means and opportunity to commit their crimes.

So I whispered my guess to my sister, who watched the movie with me but thankfully, also watched the movie for me, meaning I doubted she would mind me interrupting her viewing experience with my guess.

And I was right! I didn’t quite figure out the method (I had noted the clue indicating this, but missed its significance), but I was on point with the identity and motive. There was also a secondary crime committed, and I’m proud to say I guessed that person’s identity and motive as well.

So I’m chalking this up as a win, and I’ll take my time with Hallowe’en Party, simply enjoying the story for what it is without trying to solve for the killer.

Review | Beneath the Surface, by Kaira Rouda

BeneathTheSurfaceBeneath the Surface is an absolutely fun juicy family drama set on the high seas. Billionaire Richard Kingsley invites his children to a weekend on his yacht, the Splendid Seas.

The agenda: deciding who will be next in line to head the company after Richard retires.

The contenders: eldest son John, who has been his father’s loyal right hand and enforcer since forever; younger son Ted, a handsome and charismatic salesman who left the family business a few years ago; and only daughter Sibley, a wildcard most candid about being interested only in her father’s money. Also stirring the pot are Richard’s young and beautiful wife Serena, who schemed her way into Richard’s heart; John’s wife Rachel, a powerhouse lawyer and the Lady Macbeth brains behind much of his power; and Ted’s wife Paige, a former marketing executive turned stay-at-home mom / food bank volunteer who is itching to return to the workforce now that their daughters are about to leave for college.

It’s a set-up that’s ripe for major drama, and Kaira Rouda certainly delivers the goods. I knew who I wanted Richard to choose as his successor, but I also knew my choice was a long shot, and as the story progressed, the more and more I didn’t want particular characters to win the spot. Richard very much pits family members against each other; he’s a manipulative man, and as each sibling jockeys for top spot, you can practically see their father happily pulling one set of puppet strings after another.

Because Rouda does such a great job in drawing readers into these characters’ lives and hearts, I found myself genuinely switching between anxiety and frustration as first one sibling then another seems to get the upper hand at any given point. I wanted very much to make myself a bowl of popcorn and simply sit back to enjoy the drama unfolding, but it was no use: Rouda succeeded in making me feel invested in this fictional power play.

The setting also helps heighten the tension. Most of the action takes place on the yacht, and Rouda does a great job at describing how rough the water is, so even as the characters consume super luxurious meals, the violent waves and ever-present threat of a storm make the whole voyage feel more like torture than vacation. The family members do go ashore for a few scenes, but even then, there is no relief, as a storm has cut off all communication outside that area.

This is a locked room thriller at its finest, and Rouda is a master at ratcheting up the tension exactly where she needs to. There were chapters where I held my breath turning the pages, just waiting — or rather, anticipating, for the inevitable moment all those bubbling emotions give way to murder. In this, Rouda’s writing reminds me a bit of Agatha Christie’s. Stylistically, both authors are very different, but Rouda shares Christie’s gift in crafting these incredibly vivid characters who are often unlikeable in a variety of ways, putting them all together where they can’t escape each other, and then just letting the characters play.

Overall, this book is just a pure joy to read. Bring the popcorn, do a buddy read with your equally-drama-loving buddy, and just have a blast watching all the drama unfold.

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Thank you to Firefly Books for a copy of this book in exchange for an honest review.

Review | Ritual of Fire (Cesare Aldo 3), by D.V. Bishop

RitualOfFireRitual of Fire was a solid mystery, and a fitting read for the scorching hot days of summer. Series lead Cesare Aldo has been banished to the countryside, and his former protegee Carlo Strocchi is left behind to deal with the politics in Florence. Strocchi has been assigned to solve the case of a serial killer, someone who seems to be executing wealthy and powerful men in a way similar to how puritanical monk Girolamo Savonarola was executed in Florence forty years ago.

The twist? The victims used to be followers of Savonarola, and they seem to share a decades-old secret. Aldo’s own investigations lead him to Florence and the same case, and as much as Strocchi would prefer for them to stay out of each other’s way completely, he’s also under tremendous pressure to solve the case, and Aldo’s insights may prove invaluable.

I absolutely adored the previous instalment of this series, The Darkest Sin. Beyond the mystery itself, I was sucked into the personal drama between Aldo and Strocchi. Strocchi had always looked up to Aldo, but then learns something about his mentor that he has a strong moral objection to, and basically gives Aldo an ultimatum that forces his mentor to request a transfer to the countryside. It’s wonderfully juicy interpersonal drama, and I’ve always been a sucker for reading about disillusionment in a mentor-mentee relationship, so that last instalment made me fall in love with the characters.

This instalment’s appeal lay much more firmly within the mystery at its core. Who was killing these men and why? I’m proud to boast that I did figure out the murderer, means, and motive long before the actual big reveal. Still, the clues, suspects, and twists were all handled well. There was even a late-in-the-game red herring that made me seriously doubt my guess.

Drama-wise, it wasn’t quite as gripping for me as the last instalment, and I think it’s because both Aldo and Strocchi are way too professional to really let personal animosity get in the way of tracking down a murderer. Strocchi’s distaste for Aldo’s actions is further mitigated by the fact that Strocchi’s wife herself is totally fine with Aldo, and while Strocchi is initially angry that she lets Aldo near their baby, he’s ultimately too good and rational a man to let prejudices cloud his judgement for too long.

So: overall, this is a solid instalment in the Cesare Aldo series. The mystery was good, and as someone who barely knows anything about Italian history, it was also a fascinating deep dive into what was going on in Florence in 1538.

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Thank you to Publishers Group Canada for a copy of this book in exchange for an honest review.