The Off Season had an interesting hook: documentary filmmaker Jane Duvall moves into a remote hotel during the off season with her new contractor husband, Dom, and his teenage daughter, Sienna. Dom is tasked with doing renovations at the hotel to prepare it for the next tourist season, and Jane is coming off a work-related scandal (the details of which we don’t learn till much, much later than really necessary) and hoping the atmospheric hotel will give her material for her next film. Except odd things start happening at the hotel, and the more Jane digs into its history, the more she learns of mysterious deaths and disappearances linked to the place, most notably Dom’s ex-wife and hotel owner Peter’s son.

So far, so compelling. I love locked room mysteries and thrillers rooted in family secrets, and a remote hotel during the off-season is such a wonderfully atmospheric setting for such a tale. Unfortunately, this book didn’t fully work for me. So much of the success of this kind of story lies in the setting and the main character, and neither really gripped my interest.

I didn’t really understand why Jane was so fascinated by the Venaventura Hotel; apart from her being stuck there for a few months. She was really drawn into the history of the hotel, but from an outsider’s perspective, I didn’t really find the hotel super mysterious beyond Jane’s assertions that it was.

I also didn’t really understand why she was so into Dom at all. There were a couple of steamy scenes, but mostly he seemed like a bit of a jerk, and his secrecy about his wife’s death was such a giant red flag that I wondered why on earth Jane even married him in the first place. His daughter Sienna is a total brat, and honestly, I just felt Jane should leave and both Dom and Sienna should go into family therapy to deal with unresolved feelings over Dom’s ex-wife.

A lot of the issue comes from the fact that Jane has only known Dom for a few short weeks (I think?). So when Dom starts acting shady, and Sienna starts doing cruel things, and Jane literally thinks she’s in danger from one or the other, or both of them, I don’t understand why she still keeps wanting to make it work. I may have understood more if the goings-on at the hotel made her want to escape, and the story turns into a race against time to leave while she still can. But instead, she keeps flip-flopping between wanting to run away and wanting to make things work with Dom and Sienna, and that just gets really frustrating to read after a while.

In terms of thrills, there’s a lot going on: mysterious mean notes scrawled on mirrors, potshots taken at Jane, a trip wire designed to cause serious injury, and a lot of stuff that is unclear if they’re signs of danger or mere coincidences (for example, Jane’s phone falling into a sink full of water so she can no longer use it). There are also elements to enhance the atmosphere of danger, such as the bridge becoming damaged and a storm coming in. And of course, all the mysterious deaths and disappearances.

But to me, these are all elements of a thriller that don’t quite have a compelling enough emotional core to make me care. I see the danger, and I want Jane and the stray cats she took in to be safe. (Good news: the cats remain alive and unharmed till the end.) But since I don’t really understand why Jane cares so much about Dom, Sienna, and their new family in the first place, then whenever something new and dangerous happens, I just wanted her to break up with Dom and take herself and the cats away.

All to say, this book didn’t work for me. But at least the cats survive, and also to the author’s credit, I didn’t guess the big reveals.

+

Thank you to Simon and Schuster Canada for an e-galley of this book in exchange for an honest review.